In the grip of the Great Depression, unemployed men and women joined an unlikely WPA program to document America in guidebooks and interviews. With the Federal Writers' Project, the government pitted young, untested talents against the problems of everyday Americans. From that experience, some of America's great writers found their own voices, and discovered the Soul of a People. — Spark Media

An underground docudrama of the Depression, and rare surviving film from Chicago’s WFPL. The protagonist looks in vain for work, only to find ‘no help wanted’. Acerbic editing transforms his plight into a guide to the brutal contrasts of the era.

Elected in November 1932, as the economic crisis ravaged the United States, Franklin Delano Roosevelt immediately put all his campaign promises into action: it was time for the "New Deal". This bold plan, designed to turn around a nation on the brink of collapse, where unemployment was at an all-time high and the working poor were suffering from the precariousness of the job market, was intended to give hope to a country that had been battered before anything else. Once he came to power, the new president from the Democratic Party immediately passed some fifteen laws designed to revive the economy.

During the darkest days of the Depression when construction was started on Grand Coulee Dam, everything about it was described in superlatives. It would be the "Biggest Thing on Earth," the salvation of the common man, a dam and irrigation project that would make the desert bloom, a source of cheap power that would boost an entire region of the country. Of the many public works projects of the New Deal, Grand Coulee Dam loomed largest in America's imagination, promising to fulfill President Franklin Roosevelt's vision for a "planned promised land" where hard-working farm families would finally be free from the drought and dislocation caused by the elements.

The role of African Americans in the recovery years of the Great Depression is the subject of this informational short, which offers an idealized depiction of life in a segregated society. The highlight, by far, is rare footage of Orson Welles’s “Voodoo Macbeth,” produced in 1935 for the New York Negro Unit of the WPA’s Federal Theatre Project.