A notorious gangster is incited to transform into a film hero and opts for a filmmaker and their project descends into a scenario they had never anticipated.

A law student from a lower caste begins a friendship with his classmate, a girl who belongs to a higher caste, and the men in her family start giving him trouble over this.

A low caste boxer, Shravan, trains at a gym controlled by a local Don, Mishra. Shravan falls for Mishra's niece, Sunaina. Mishra does not approve of this match. Shravan strives to win Sunaina's hand in marriage and become a successful boxer while trying to avoid retaliation from Mishra.

The story of ‘blue dogs’ is about two watchful, loyal dogs of some supposed huge mobster, with his work in and around Mumbai. As the story unfolds, their lives of crime gets inexplicably tangled with bigotry, paranoia and delusions.

A group of college students gets entangled in the scheme of a fledgling caste outfit that wants to turn into a political party.

During the 2020 pandemic summer, El Colegio de la Desextinción infiltrated into the holidays of four Divine Caste’s descendants. This elite built its wealth on slavery in the sisal plantations of Yucatán, Mexico, at the end of the 19th and beginning of the 20th century. Every year these families move to their opulent summer houses at Chicxulub Puerto, built at the same place where the asteroid that killed the dinosaurs hit. In these apocalyptic beaches, seducers of asteroids and conquistadors, we proposed the young heirs to write and star in a film about Chicxulub’s crater, in which they staged their entrepreneur fantasies.This documentary is the result of the political unconsciousness of this peninsular ethnic group.

'Mod' is an attempt by the filmmaker at communicating with the young men who hang out at the ‘notorious’ water tank in her neighbourhood in Pratap Vihar, Ghaziabad. The water tank is a space that is frequented by the so-called ‘no-gooders’ of the locality, a place where they play cricket, play cards, drink and smoke up. When she enters the space with her camera, the boys are curious and at the same time wary of it and her. They sometimes resist, sometimes protest, and at times, open up. As the film unfolds we get a hint of the lives the boys lead and the fragile world they create for themselves at the water tank.