A young woman who has just started a job at an art museum writes an email to a friend she lived with until recently. The other woman, also young, works as an artist and has just moved to a new city. A narrator reads this email, but we don't know which of the two women the voice belongs to, whether to the sender or to the receiver of the message. Neither are we aware of the details of this relationship; but what we do know is that, in addition to their interest in art, they share a concern for the difficulties of carrying out their personal and professional lives in the present. By focusing on the peripheral or hidden details of some paintings in the Bilbao Fine Arts Museum, this narrator relates several stories linked to the social, economic and psychological conditions of the artists, both past and present.
To understand firsthand what the United States of America can learn from other nations, Michael Moore playfully “invades” some to see what they have to offer.
A historical perspective to understand Neoliberalism and to understand why this ideology today so profoundly influences the choices of our governments and our lives.
The absorbingly cinematic Ascension explores the pursuit of the “Chinese Dream.” Driven by mesmerizing—and sometimes humorous—imagery, this observational documentary presents a contemporary vision of China that prioritizes productivity and innovation above all.
Maria Toikka is called to testify in a trial in which her husband Ville is charged. The assurances show the events that led to the trial from the previous fall, when Patron Oppman begins to approach Maria, offering her money in return for services.
Filmul scoate la lumină efectele decalajului tot mai mare de prosperitate dintre bogați și săraci asupra tuturor nivelurilor sociale din SUA și Regatul Unit.
Afro-American men and women express their views on why some Black men are travelling from the US to Brazil to find sex partners.
March, 2021. Claudia, a 24-year-old girl, tries to barely survive in the pandemic and precarious Madrid. After being threaten by his landlord in case she doesn’t pay the months’ rent that she owes him, Claudia decides to start working as a rider for a food delivery app. An unexpected reunion when she is delivering an order takes her on a bittersweet journey into the past and raises some questions she had never asked herself before.
During a trip to the Philippines, middle-aged Norwegian Lars has met the Filipina he wants to share his life with, but to his surprise she turns him down. Lars now has to face his own prejudices and deal with this uncomfortable situation.
In 1812 there were violent disturbances in Yorkshire when new machines were introduced into the wool industry. This film is an interpretation of those events made in the style of a documentary.
A very human tech doc, uncovers the real costs of the platform economy through the lives of workers from around the world for companies including Uber, Amazon and Deliveroo. From delivering food and driving ride shares to tagging images for AI, millions of people around the world are finding work task by task online. The gig economy is worth over 5 trillion USD globally, and growing. And yet the stories of the workers behind this tech revolution have gone largely neglected. Who are the people in this shadow workforce? It brings their stories into the light. Lured by the promise of flexible work hours, independence, and control over time and money, workers from around the world have found a very different reality. Work conditions are often dangerous, pay often changes without notice, and workers can effectively be fired through deactivation or a bad rating. Through an engaging global cast of characters, it reveals how the magic of technology we are being sold might not be magic at all.
Abigail Disney looks at America's dysfunctional and unequal economy and asks why the American Dream has worked for the wealthy, yet is a nightmare for people born with less. As a way to imagine a more equitable future, Disney uses her family's story to explore how this systemic injustice took hold.
This visually striking short film from director Kate Morrison combines exquisite production design, precise cinematography and committed performances to create an unsettling and surreal scenario that explores the inherent advantage art students from wealthier backgrounds have over those from low-income households in their ability to realise their full creative potential.
Examines how a US value system built on the extreme masculine ideals of money, power and control has glorified individualism, institutionalized inequality, and undermined the ability of most Americans to achieve the American Dream.
The documentary portrays the desires and ftures of four young people from the third year of secundary education in Chile. Two of them attend the industrial high school in the San Joaquín commune, where they have already begun their training as a textile technician. They both have dreams, they want to study, work, start a family and improve themselves. On the other hand, at the exclusive Saint George school, two students study in privileged conditions. They want to be professionals and develop through the arts. This is the portrait of two worlds located less than 20 kilometers apart and that can only be together in the audiovisual montage. It is the manifestation of the coincidences and contradictions that exist between the realities and the discourses of four young Chilean students in a fundamental stage for their future.