6 部电影

2019 年 06 月 14 日

SI Manikandan and his police team are dispatched to Basthar, a Maoist area for election duty where they aren't trained to handle the attacks in a territory field filled with land mines while being armed with unnecessary ammunition.

2010 年 01 月 01 日

The story of Shikkar takes place at Chittazha, a mountainous terrain where bamboo reeds flourish. After much wandering from place to place, Balraman (Mohanlal) a lorry driver has finally settled down with his daughter (Ananya) at Chittazha. Peace evades the man as his past catches up with him, and Balaraman has to risk everything to safeguard his own life and that of his daughter's.

2013 年 06 月 12 日

The story revolves around two spoiled youngsters, Jones and his cousin Korah and the turn of events during their vacation.

1973 年 04 月 01 日

A political activist escapes the prison van and is sheltered in a posh apartment owned by a sensitive young woman. Both are rebels: the activist against political treachery and the other on social level. Both are bitter about badly organized state of things. Being in solitary confinement, the fugitive engages himself in self-criticism and, in the process, questions the leadership. Questions are not allowed, obeying that is mandatory. Displeasure leads to bitterness, bitterness to total rift. The struggle has to continue, both for the political activist, now segregated, and the woman in exile.

1997 年 07 月 06 日

The story about how a young man (Brahmaji) in a village who wants to become a police officer ends up becoming a terrorist.

2020 年 01 月 27 日

Somi is pregnant with her second child. A girl, she hopes. Together with her husband she prepares for this new phase of their parenthood. It means that their son has to go to school, but as an ex-Naxalite that is tough to achieve in contemporary India, where people like them are third-rate citizens. They lack the certificates and an opaque bureaucratic process doesn't help. Directors Isabella Rinaldi, Cristina Hanes and Arya Rothe of the NoCut Film Collective concentrate on Somi's close family ties, painting a portrait of ex-Naxalites in India. Once, Somi and her husband were communist rebels fighting for the rights of Indian tribes. However, to safeguard their family's welfare, they surrendered to the government in exchange for marginal compensation and simple accommodation.

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