A mild-mannered English conscientious objector moves to what he feels will be the relative calm of Australia after World War I, but gets caught in the middle of violent battles between the rising trade unions and fascist groups.

Milan, a Slovak working in Germany as a bricklayer, returns home to celebrate Christmas with his wife and three children, one of whom appears to be involved in suspicious activities related to an extremist organization.

Louis Koo plays an assassin who wants to go straight after getting out of prison, so he turns down a job from his former employer Simon Yam to kill a politician. Yam carries out the hit himself and manages to frame Koo for the crime, who then must run from both the cops and criminals as he tries to clear his name.

Hundreds of teenagers join the Slovak Recruits paramilitary group to get ready for the final clash of civilizations and to fight whoever invades their country.

For consumers, bananas are a delicious and nutritious start to the day, a healthy snack and a fixture in our fruit bowls. For millions of residents in the banana lands, the production of bananas means social upheaval, violence and pesticide poisoning. Banana Land explores the origins of these disparate realities, and opens the conversation on how workers, producers and consumers can address this disconnect.