Set in northern Australia before World War II, an English aristocrat who inherits a sprawling ranch reluctantly pacts with a stock-man in order to protect her new property from a takeover plot. As the pair drive 2,000 head of cattle over unforgiving landscape, they experience the bombing of Darwin by Japanese forces firsthand.
James Parker and Harry Holt are on an expedition in Africa in search of the elephant burial grounds that will provide enough ivory to make them rich. Parker's beautiful daughter Jane arrives unexpectedly to join them. Jane is terrified when Tarzan and his ape friends abduct her, but when she returns to her father's expedition she has second thoughts about leaving Tarzan.
When siblings Judy and Peter discover an enchanted board game that opens the door to a magical world, they unwittingly invite Alan -- an adult who's been trapped inside the game for 26 years -- into their living room. Alan's only hope for freedom is to finish the game, which proves risky as all three find themselves running from giant rhinoceroses, evil monkeys and other terrifying creatures.
A former Union Army officer plans to sell out to Anchor Ranch and move east with his fiancée, but the low price offered by Anchor's crippled owner and the outfit's bullying tactics make him reconsider. When one of his hands is murdered he decides to stay and fight, utilizing his war experience. Not all is well at Anchor with the owner's wife carrying on with his brother who also has a Mexican woman in town.
Thanks to the chicanery of his crooked uncle Major Cosgrave, Jet has been cheated out of his father's property and branded a pariah. He spends the rest of the film trying to regain his birthright and clear his name. The two women in Jet's life are Judy Polsen, who chases him for so long that he finally catches her, and Alice Austin, Major Cosgrave's fianee.
Bomba the jungle boy swings into action when an elephant herd is threatened by ivory hunters.
A cattleman fights to establish a ranch in the middle of gold country.
Crenshaw and Randolph are competing freight haulers and Randolph's lead man Tom Baxter has given him an advantage....
Don "Red" Barry, Republic's answer to Jimmy Cagney, stars in The Apache Kid. Barry plays Pete Dawson, a pugnacious cowboy who dons a mask and becomes a stagecoach robber. It's all in a good cause, however: Dawson is stealing from the town boss (Leroy Mason) who has ripped off a group of miners. Heroine Lynn Merrick is the daughter of the local judge, so naturally she misunderstands Barry's motives, at least until fadeout time.
It is April 15th, 1989. Thousands of fans are rushing into Hillsborough stadium in Sheffield to watch the FA-Cup semi-final between Liverpool FC and Nottingham Forrest. The day ends with one of the greatest tragedies in football: 96 people do not survive the catastrophe of Hillsborough. 766 get injured. The 30-minute-long documentary especially gives a voice to the survivors.
An intimate and thrilling portrait of a young Siksika woman and the deep bonds between her father and family in the golden plains of Blackfoot Territory as she prepares for one of the most dangerous horse races in the world… bareback.
Focusing on the sport of chuckwagon racing at the Calgary Stampede, captured through a mix of aerial, POV, and ringside footage, the film is ahead of its time in the way it captures adrenaline-pumping action. This short documentary offers a ringside view of the chuckwagon race, star attraction of the world-famous Calgary Stampede. Once ponderous Percheron and Clydesdale draught thundered around the course. Now they are racers, and it takes a firm hand to guide such horsepower.
Cowboy star Tom Mix was cast as Ned Ferguson, a sure-shot frontiersman with a nose for trouble.
Inhabitants depicts animals in panic: the film is mostly filled with shots of mass migrations and stampedes (some, surprisingly, filmed from a helicopter). The title equalizes the species of the earth. Artavazd Peleshian merely alludes to the presence of human beings—a few silhouettes that seem to be the cause of these vast, anxious movements of animal fear. In many ways, this film is an ode to the animal world that moves toward formal abstraction, with clouds of silver birds pulverizing light. Peleshian said, “It’s hard to give a verbal synopsis of these films. Such films exist only on the screen, you have to see them.”