En 1820, un trampero que sirve de guía a una expedición que se dirige desde Canadá a Missouri, después de ser atacado por un oso es abandonado a su suerte por sus compañeros, que huyen acosados por los indios. Sin embargo, sobrevive y cuando se recupera de sus heridas va tras ellos para vengarse.

Part of the Daughters of the Country series, this film, set in the 1850s, unfolds against the backdrop of the Hudson's Bay Company's monopoly of the fur trade. In protest, some Métis engage in trade with the Americans. Madeleine, the Métis common-law wife of a Hudson's Bay Company clerk, is torn between loyalty to her husband and loyalty to her brother, a freetrader. Even more shattering, a change in company policy destroys Madeleine's happy and secure life, forcing her to re-evaluate her identity.

Highly fictionalized early history of Canada. Trapper/explorer Radisson imagines an empire around Hudson's Bay. He befriends the Indians, fights the French, and convinces King Charles II to sponsor an expedition of conquest.

Con "sealfies" y las redes sociales, una nueva generación de inuit conocedores de la tecnología se adentra en el mundo del activismo, utilizando el humor y la razón para enfrentarse al agresivo vitriolo de los derechos de los animales y defender sus prácticas tradicionales de caza. La directora Alethea Arnaquq-Baril se une a sus compañeros activistas inuit mientras desafían las percepciones obsoletas de los inuit y se presentan al mundo como un pueblo moderno que necesita urgentemente una economía sostenible

A young Ojibwa girl from 1770 marries a Scottish fur trader and leaves home for the shores of Georgian Bay. Although the union is beneficial for her tribe, it results in hardship and isolation for Ikwe. Values and customs clash until, finally, the events of a dream Ikwe once had unfold with tragic clarity.

Filmed on location in Saskatchewan from the Qu'Appelle Valley to Hudson Bay, the documentary traces the filmmaker's quest for her Native foremothers in spite of the reluctance to speak about Native roots on the part of her relatives. The film articulates Métis women's experience with racism in both current and historical context, and examines the forces that pushed them into the shadows.

This documentary focuses on the goose hunt, a ritual of central importance to the Cree people of the James Bay coastal areas. Not only a source of food, the hunt is also used to transfer Cree culture, skills, and ethics to future generations. Filmmaker Paul M. Rickard invites us along with his own family on a fall goose hunt, so that we can share in the experience.

Set in 1815, this is the dramatic story of a child of the fur trade, son of a Native mother and a Scottish-Canadian fur trader. John Mackenzie's father is a wintering partner of the Montréal-based North West Company, which was for decades the wealthiest merchant enterprise in North America. To mark his entry into adulthood, twelve-year-old John is travelling for the first time to Fort William, the Company's lavish winter headquarters by Lake Superior. In following his journey, the film reveals the complex network of people--Scottish, French and Native Canadian--that made up fur-trading society and gave a unique flavor to the opening up of Canada's northwest.

How the Fiddle Flows follows Canada's great rivers west along the fur-trading route of the early Europeans. The newcomers introduced the fiddle to the Aboriginal people they intermarried with along the way. A generation later, their mixed-blood offspring would blend European folk tunes with First Nations rhythms to create a rich and distinct musical tradition. From the Gaspé Peninsula, north to Hudson Bay and to the Prairies, How the Fiddle Flows reveals how a distinctive Metis identity and culture were shaped over time. Featuring soaring performances by some of Canada's best known fiddlers and step dancers and narrated by award-winning actress Tantoo Cardinal.