A letter of love to my past self who discovered himself.
One fine morning it stopped working and I realized my little compact camera was dying. So I started taking as many photos as possible with it before it dies. These photos were taken in 2018 and 2019. A time I spent in oblivion. It was dark. It was blurry. This silent film is my tribute to my beloved camera.
'Eigi Sylhet' is a journey of my self-discovery. With no narrative, this two-minute diary film paints a portrait of my resilience and artistic awakening, weaving together my self-portraits and cityscapes captured in 2018, a year I spent in oblivion, solitude and contemplation. It's a letter I wrote to my future self.
This short, started early on into sobriety, finished about nine months in, is a collage of diaries and notes, collected from within addiction and into recovery.
It has been a year since Juliette’s sister has passed and she hasn’t been doing so well since that day, but she must learn how to be kind to herself.
For years, together with his partners from the production company O Quadro, he has been betting on cinema as a tool to explore the typical issues of youth. In this film, Evandro Scorsin turns the cameras on himself as he deals with the dilemmas of the passing of time and the imposition of adulthood. In an exercise in autofiction where cinema and life merge, the film is also a cinematic love letter to the beloved masters (especially Nicholas Ray). Coming and going between two countries and times, it records the vertigo of displacement and the reinventions inherent to an immigrant experience.
A short documentary project that attempts to encapsulate what it looks and feels like to be an American Teenager in 2022.
A person narrates themself making a salad
Farewell letter to an old love.
A Different point from the eyss of Yuval Shamshins's life, in the modern days of the Covid-19. The movie is built upon the small moments of life, full of Metaphors and Images in order to built a cinemathic perspective.
A loose collection of scenes in Hong Kong shot over a five-year period, this film begins with the Umbrella Movement in 2014 and ends right before the summer of 2019, when large-scale social unrest and violent resistance erupted. The everyday scenes capture the ambience and the landscape of change in the city, standing as a quiet prelude to the ensuing conflicts.
What started as a random filming thing, during a music tour, slowly turned into the only way for me to deal with my post-performance blues. This film is a letter I wrote to myself. From Imphal.
Footage from summer of 2018 that explores the passing of time regarding the little things in life.
Two teen boys living in an isolated house in the mountains contemplate their existence while maintaining a video diary of their daily lives.
Soare is a musician with too little inspiration and too many neurons baked from smoking weed. One day, he decides that his life has become too chaotic, so he begins writing a guide for surviving the moments when his reality stops making sense. Passing various surreal episodes, Soare hopes to regain his inspiration.
I wasn’t told. I wasn’t told it would be so difficult to live together. To keep a family together. To maintain love and happiness. I wasn’t told, and if someone had told me I wouldn’t have listened. I chose to live with my camera in my hand, filming the trajectory of feelings, from the golden age to the lost paradise, from being born to being reborn.
Maria Lang is my very close filmmaker friend who lives in the southern german countryside. We see her gardening and visiting an exhibition of female impressionist painters.
A short documentary by Jim McBride.
Somewhere between a diary and a filmed letter made while Caroline Champetier was shooting Benoît Jacquot's film L'Intouchable in India.