On January 3, 2001 in Lorca there was a traffic accident that caused 12 deaths who were Ecuadorians, worked in agricultural fields and were in an irregular situation in Spain. This documentary reflects the harsh reality experienced by dozens of illegal Ecuadorians offering much cheaper labor in Spain.
An undocumented immigrant receives a heartwarming yet heartbreaking phone call from his daughter across the border.
Rotem Genossar, a teacher at the Bialik-Rogozin campus in south Tel Aviv, founds a running group for his students, young African refugees whose families fled their homeland and now live in Israel without any legal status. At first running is just a social activity for the students, but it quickly becomes a means to fight for their civil rights, part of a struggle to secure them a place of their own, out of the margins of Israeli society.
When an Arizona resident is charged with three felony counts and faces a 20-year prison sentence for helping migrants, his community grapples with moral questions posed by his arrest.
In a post-apocalyptic Spain different tribes survive, struggling to take control of the only existing sustenance: a red wine of negligible quality. (A sequel to Made in Spain, 2016.)
In 2011, as tens of thousands of migrants, Loss, and Madess Moussa arrived in Europe via Turkey. Required by EU law to remain in Greece, they only want one thing : to leave. Therefore earn the money needed to start is an obsession and all means are good. The film "The Adventure" follows the lives of these three Ivorians to Athens - their sense of enclosure, strategies to find money, failover illegally, attempts to start - and explores what is at stake, individually and collectively during migration: relations to other migrant communities, friendship, betrayal, solidarity, mafias and violence.
The migrants' way to the US has always been hard. In 2006 in Mexico, war against drugs has increased violence. Migrants, lacking from a legal status, became perfect victims. Psychological, social and institutional points of view focus on these forced disappearances. A portrait of the national status on migration, drug traffic, and violence is screened through interviews to experts and victims relatives: main parties in this issue.
A documentary that explores the human and financial costs of illegal immigration.
A documentary that measures the cost of providing amnesty to millions of illegal aliens.
Every year, thousands of people coming from Africa try to reach Spain in desperate and dangerous journeys across the Mediterranean. Tariq is a young Moroccan who works for a mafia that organises these illegal journeys. His job is to carry immigrants in a dinghy across the strait and not getting caught. But every trip might be the last one.
It is summer and it is hot. Ice cream drips from its cone, a father photographs his child. Then a man suddenly arrests his focus. Inspired by a picture from photographer Juan Medina, taken on the beach of Gran Tarajal in Spain in 2006, director Ronny Trocker animates a situation that happened today as it did yesterday, with the difference that today, no one moves. Time is frozen. A black man lies exhausted on the shore. It seems that no one has noticed his arrival.
Documentary exploring the effect of mass immigration on the dwindling white community of the East End, from the perspective of those who remain and those who chose to leave.
Kantatar (Barbed Wire) revolves around the journey of Sudha (Sreelekha Mitra), a socio-political-love drama, Kantatar centers on an illegal immigrant's search for identity and her effort to survive sake and in search of an identity, moves from one man to another and from one religion to another. The sudden threat of cross border terrorism entirely changes the socio-political situation in a remote village close to the frontier, the army rolls into town, and the drastic changes take their toll on inter-personal relationships as they are marred by suspicion, competition and fear. Sudha takes refuge in a temporary weather camp just outside the village.
A nameless immigrant crosses the border leaving behind him a trail of blood and death. On his trail is an aging lawman seeking justice and redemption
The encounter with a growing, and mostly undocumented, brazilian community allows us to bear witness to its energy, its vivacity, and its diversity. This film attempts to work for a larger acceptance of foreigners in their land of exile.
The events that took place at the beach of El Tarajal in Ceuta (Spain) in February 2014 - the killing by the border police of 15 people who were trying to reach the Spanish coast - are an example of how the police force can violate the laws of its own country and international conventions with total impunity. The worst part is that this violation of human rights is protected by the Spanish Ministry of Interior itself, which hinders any effective action by the prosecution. For this reason, the civil society plays a fundamental role in revealing the facts. This is where the figure of collective complaints (DESC Observatory and the association Coordinadora de Barrios) steps in.
A documentary film crew follows a young Iranian girl, Roya, after her request for asylum was denied and is forced to enter an illegal life on streets of Amsterdam. The film crew follows her from a distance trying not to intervene, no matter what occurs to her.
Rosa is a Mexican woman who, at the age of 17, migrated illegally to Austin, Texas. Some years later, she was jailed under suspicion of murder and then taken to trial. This film demonstrates how the judicial process, the verdict, the separation from her family, and the helplessness of being imprisoned in a foreign country make Rosa’s story an example of the hard life of Mexican migrants in the United States.
Like the twining vines of the honeysuckle, each of the three stories in this film follow a character whose growth is impeded by the clouds of society hanging over their heads. From a Hungarian taxi driver torn between the preservation of his family and the unexpected humane responsibility found in the clandestine activities he does for profit, to the Hungarian teenager of a single mother whose idea of life goals and success seems perpetually defined by the missing figure of a role model, and finally to the young Indian Carnatic singer who amidst personal and national turmoil decides to sacrifice the one thing that defines her - her talent, Honeysuckle aims not to narrate or condescendingly offer a message, as much as it seeks to illustrate the many life directions available, and the way none of them are good, in a world severely lacking a moral center.
An absent-minded traveler arrives at a Spanish beach where chaos is about to break out. (Followed by Mad in Xpain, 2020.)