סרט ראווה של ויליאם ויילר ("שועלים קטנים", "שנות חיינו היפות ביותר"). זהו עיבוד הוליוודי שלישי לרומן זה, המספר על נסיך יהודי, הנלקח לשבי הרומי ולבסוף מתנצר, בהשפעת צליבתו של ישו. אוסקר לויילר על הבימוי, להסטון וגריפית על המשחק, ולסרט עצמו - 1959. סיפור של הרפתקאות, נדודים, סכנות, השפלות ונצחונות, שעלילתו מתרחשת בתחום הדפוסים ההוליוודיים המוסכמים. יהודה בן חור הוא סוחר יהודי שגר בירושלים וחי כנסיך עשיר, בתחילת המאה ה-1. את שיגרת חייו הנוחה שובר חברו הוותיק שחוזר לירושלים כמפקד הלגיון הרומי בעיר. בתחילה הם שמחים מאוד לפגוש אחד את השני, אך עד מהרה חילוקי הדעות הפוליטיים בינהם גורמים למתחים רבים בחברות. באחד הימים בו נערך המצעד לכבודו של ראש הלגיון נופלת לבנה מביתו של יהודה ומפספסת את ראשו של ראש הלגיון, וכמעט הורגת אותו. למרות שמסלה יודע שיהודה לא אשם בכך, הוא מעניש אותו ואת משפחתו ושולח את יהודה בן חור לספינת עבדים, ואת אמו ואחיותיו לכלא. יהודה נודר נדר ונשבע לנקום את נקמת משפחתו בחברו.
בלש משטרתי מושחת (הארווי קייטל, נהג מונית), שנרדף על ידי גובי חובות עקב סדרה של הימורים כושלים בבייסבול, חוקר רצח של נזירה. אחרי כמויות בלתי סבירות של סמים, בילויים עם זונות, ושימוש במעמדו כשוטר כדי לנצל ילדות קטנות, מתחיל הבלש לשאול את עצמו שאלות מהותיות לגבי אופי חייו.
The powerful evil wizard Tarabas gets knowledge about a prophecy that a king's child will defeat him. So he sends out his army of dead soldiers to kidnap all royal children. When the soldiers attack Fantaghiro's castle to steal the babies of her sisters, the battle seems to be lost until she discovers the secret to defeat the solders but by doing that she loses Romualdo. Now Fantaghiro must find the evil wizard Tarabas and convince him to break the spell and bring back Romualdo.
An alcoholic, abusive ne'er-do-well is shown the error of his ways through a legend that dooms the last person to die on New Year's Eve before the clock strikes twelve to take the reins of Death's chariot and work tirelessly collecting fresh souls for the next year.
Everyman is successful, popular and riding high when Death comes calling. He is forced to abandon the life he has built and embark on a last, frantic search to recruit a friend, anyone, to speak in his defence. But Death is close behind, and time is running out. One of the great primal, spiritual myths, Everyman asks whether it is only in death that we can understand our lives. A cornerstone of English drama since the 15th century, it now explodes onto the stage in a startling production with words by Carol Ann Duffy, Poet Laureate, and movement by Javier De Frutos.
A former war vet, a misanthrope, and an illegal immigrant seek salvation in a pair of inexperienced drug dealers staked out at a run-down desert motel.
Jonathan Wright has it all, a prestigious job, incredibly beautiful wife Amy, gorgeous 7-year-old daughter Megan and countless friends. In the prime of his life, Jonathan suffers a life threatening brain aneurysm that leaves him comatose. After regaining consciousness, he begins the grueling task of rebuilding his life.
A young divinity student helps and protects a down and out prostitute, at the cost of his own standing in the community.
Andrew is chosen by God and is called out of his mischievous childhood to partake in the kingdom of God. Andrew must go through trials, tests, and spiritual warfare, before the mystery of the kingdom of God is finally revealed to him.
In THE CASE FOR FAITH journalist Lee Strobel investigates two of the most emotional objections to Christianity. Barriers to faith confronted by believers and skeptics alike: Why is Jesus the only way to God? And, how could a loving God exist if there is evil and suffering in the world?
As an asteroid hurtles towards the earth, two friends journey through the forest in search of a mythical safe haven to escape the impending apocalypse. But is Groundswell truly their salvation or just a fairytale?
Waking up chained in a basement after an alcohol fuelled night out. Philip slowly pieces together the events of the previous night. He soon discovers that he is at the mercy of Wayne, a fundamentalist, who has been driven to misguided revenge over the death of his wife and son. Realising that Wayne's twisted idea of salvation will lead to his death Philip must do whatever he can to survive.
After many years in an insane asylum a man returns to find that the village of his birth is gone and a massive, mysteriously empty factory has sprung up in its place.
Filmed in the quaint prairie town of Herbert, Saskatchewan, Heaven or Not by filmmakers Zuzana Hudackova and Danijel Margetic is an intimate portrayal of one man's tireless journey to give his life greater meaning. John Gerbrandt, a WWII veteran, has been singlehandedly building a 7,000-square-foot house over the past three decades with nothing more than his pension and salvaged materials. With no formal training, he is fuelled by a powerful determination to prove his worth to his God, his family, and his community. John's story transcends day-to-day life in a small town and reaches the realm of deep spirituality marked by an unwavering commitment. Now at the age of 84, suffering from health problems and the financial burden of property taxes, John might not be able to finish his lifelong endeavor.
The story is about life, love, and nirvana. Siddharth (42) is in the holy city of Banaras for the first time. One day at the ghat he sees and instantly gets hooked with the aura of Malvika (38). He is at a loss for words as this is the same girl whom he saw 17 years ago while crossing the road. Is destiny playing a game with him? Is it mere attraction? Graceful, Soulful, and Cheerful Malvika clear all his illusions as she believes in the flow of mystical energy. The undercurrents make them bond together to explore many hidden facets and at the same time, Malvika feels some interruptions. She is waiting eagerly for the sunset of 27th September. Will destiny would be kind enough to their coming together?
A youth choir and their director lift the spiritual life of a church and preacher.
Tired of his life, our 'hero' Salomone endlessly tries to kill himself in various manners, but luckily/unluckily for him he keeps failing over and over.