The wolf of British Columbia is on a quest to master water, fishing and swimming. According to several specialists, the wolf is at the first stage of a process that could turn it into a marine mammal. How will its evolution unfold?
Director Mirjam Leuze’s The Whale and The Raven illuminates the many issues that have drawn whale researchers, the Gitga’at First Nation, and the Government of British Columbia into a complex conflict. As the people in the Great Bear Rainforest struggle to protect their territory against the pressure and promise of the gas industry, caught in between are the countless beings that call this place home.
In this era of “reconciliation”, Indigenous land is still being taken at gunpoint. Unist’ot’en Camp, Gidimt’en checkpoint and the larger Wet’suwet’en Nation are standing up to the Canadian government and corporations who continue colonial violence against Indigenous people. The Unist’ot’en Camp has been a beacon of resistance for nearly 10 years. It is a healing space for Indigenous people and settlers alike, and an active example of decolonization. The violence, environmental destruction, and disregard for human rights following TC Energy (formerly TransCanada) / Coastal GasLink’s interim injunction has been devastating to bear, but this fight is far from over.
In this follow-up to his 2003 film, Totem: the Return of the G'psgolox Pole, filmmaker Gil Cardinal documents the events of the final journey of the G'psgolox Pole as it returns home to Kitamaat and the Haisla people, from where it went missing in 1929.
A core group of architects embraced the West Coast from Vancouver to LA with its particular geography and values and left behind a legacy of inspired dwellings. Today, architects celebrate the influence established by their predecessors.
Marc-André Leclerc, an exceptional climber, has made solo his religion and ice his homeland. When filmmaker Peter Mortimer begins his film, he places his camera at the base of a British Columbia cliff and waits patiently for the star climber to come down to answer his questions. Marc André, a little uncomfortable, prefers to return to the depths of the forest where he lives in a tent with his girlfriend Brette Harrington. In the heart of winter, Peter films vertiginous solos on fragile ice. He tries to make appointments with the climber who is never there and does not seem really concerned by this camera pointed at him "For me, it would not be a solo if there was someone else" . Marc-André is thus, the "pure light" of the mountaineers of his time, which marvel Barry Blanchard, Alex Honnold or Reinhold Messner, interviewed in the film. An event film for an extraordinary character.
This documentary, set in the Lower East End of Vancouver's downtown core, is a pretty honest account of life on the streets in urban Canada. It is aimed at educating high school kids on the dangers of addiction to hard drugs and is the brainchild of a group of city police officers who videotape their interactions with local homeless personalities.
Grindcore Vacation melds the expository documentary, diary film, and live performance footage to produce a portrait of the musicians who play grindcore, an extreme sub-genre of punk/metal characterized by high speed and full volume. Shot during a weekend trip from Victoria BC to Dallas TX for a single DIY concert, it interviews members of Deterioration, Cognizant, and Imperial Slaughter. Live concert footage combines with interviews and Super 8mm film to create an impression of the people who play grindcore, why they love the genre, and their experiences as practitioners of the niche style.
Set off the West Coast of Canada in 1965, a hip new teacher with a miniskirt and lots of ideas turns a small town upside down. The soft autumn light of Galiano Island is beautifully rendered in writer/producer Peggy Thompson's The Lotus Eaters, and that's not the only elusive element that this film has captured. In revisiting its particular time and place - the Gulf Islands of the early '60s -Thompson obviously draws on her own family experiences there. For those who share Thompson's love of Gulf Islands magic, the elements she has assembled will feel as familiar as their own childhood blanket. But there are problems at the core of this story about a family's loss of innocence.
A small mountain community in Canada is devastated when a school bus accident leaves more than a dozen of its children dead. A big-city lawyer arrives to help the survivors' and victims' families prepare a class-action suit, but his efforts only seem to push the townspeople further apart. At the same time, one teenage survivor of the accident has to reckon with the loss of innocence brought about by a different kind of damage.
Ten women in Canada talk about being lesbian in the 1940s, 1950s, and 1960s: discovering the pulp fiction of the day about women in love, their own first affairs, the pain of breaking up, frequenting gay bars, facing police raids, men's responses, and the etiquette of butch and femme roles. Interspersed among the interviews and archival footage are four dramatized chapters from a pulp novel, "Forbidden Love".
A cattleman fights to establish a ranch in the middle of gold country.
A daughter and her 60-year-old mother embark on a 6 month, 2,300-kilometre ski trek through British Columbia’s rugged terrain.
My American Cousin is a Canadian drama film, released in 1985. Written and directed by Sandy Wilson based on her own childhood, the film stars Margaret Langrick as Sandy Wilcox, a pre-teen girl growing up on a ranch in rural Penticton, British Columbia in the late 1950s. Sandy's longing to be treated as an adult is roused even further when her older American cousin Butch Walker (John Wildman) comes for a visit. The cast also includes Richard Donat, Jane Mortifee, Babz Chula and Camille Henderson.
A boy learns to deal with personal loss by making friends with a wild animal in this drama for the entire family. Jesse is a 16-year-old who is trying to put his life back together after the death of his father, who died while trying to rescue him in the wilderness. Jesse goes to live with his Uncle Roy, who lives in the rugged mountains of Washington State. While exploring, Jesse finds and rescues a wolf who has been seriously wounded; Jesse bonds with the animal, and while Roy understands the dangers of trying to tend to a wild animal, reluctantly allows Jesse to keep him. Jesse, who is fond of snowboarding, teaches the wolf to be his partner in skijoring, a sport in which a dog is used to haul a man on skis. John Rockwell the owner of a ranch, has different plans for the animal; he sees the wolf as a threat to his stock and is determined to see that the animal is put down.
In the Land of the Head Hunters is a 1914 silent film fictionalizing the world of the Kwakwaka'wakw (Kwakiutl) peoples of the Queen Charlotte Strait region of the Central Coast of British Columbia, Canada, written and directed by Edward S. Curtis and acted entirely by Kwakwaka'wakw natives. It was the first feature-length film whose cast was composed entirely of Native North Americans; the second, eight years later, was Robert Flaherty's Nanook of the North.
When a young boy is captured by a grizzly bear, he begins the most incredible journey of a lifetime, full of breathtaking excitement, harrowing danger and thrilling surprises.
A couple of youngish adventurers go into the wilderness of British Columbia in search of a lost colleague. Their plane crashes and they find themselves at the mercy of a crazed old Scottish miner, who has lived in isolation for many decades searching the mountain caves for a chamber of long lost gold. He is prepared to do anything - including murder - to keep his gold for himself.
Marie Deschamps has her whole life ahead of her but isn't sure what to do with it. To the disappointment of her parents, she drops out of college and decides to go work in Whistler in order to perfect her English. After a journey across Canada, her arrival in British-Columbia is less glorious than she dreamt. Fortunately, she meets Jean-Francois Laforest, a Quebecois skier who has been living on the West Coast for 10 years. J-F will introduce her to his Anglo friends and to the lifestyle of the mountains. Somewhere out West, this adventure will change her life forever.
Mountain Men is a comedy/drama that follows two estranged brothers, Toph and Cooper, as they journey to a remote family cabin in the mountains to evict a squatter. Buried resentment and bruised egos soon derail the plan and when the smoke clears they've destroyed their car and burned down the cabin, leaving them stranded in the cold Rocky Mountain winter. With their very survival at stake, they must learn to work together as brothers to get back to civilization.