Zijn buren kunnen het niet meer aan. Elke keer als Sebastian van huis is, gaat het gejank van zijn hond door merg en been. Moet het eenzame beestje dan toch maar mee naar kantoor? Sebastians werkgever wil daar niets van weten. Ontslag nemen is ook een optie, hoewel het leven van de dertiger daar niet bepaald gemakkelijker van wordt.
Korte film: De nachtploegbediende van een sekshotel, die lijdt aan narcolepsie, wordt geconfronteerd met een nacht waarin het ongewoon druk is en de huishouding een pistool vindt in kamer 6.
Deep in the forest a group of five friends wander around like a lion herd. Lost in their word games, they play and seduce each other while going back and forth into adulthood territory, in a desperate search to avoid their already written story.
Remembering his old memories, he will leave a photograph in every place where he was happy.
Tucumán, Argentinië, 1965. Drie jaar voordat George A. Romero's Night of the Living Dead uitkwam, filmde regisseur Ofelio Linares Montt Zombies in the Sugar Cane Field, wat zowel een horrorfilm als een politiek statement bleek te zijn. Het was een succes in de VS, maar kon vanwege de dictatuur van Juan Carlos Onganía niet in Argentinië worden vertoond en ging uiteindelijk verloren. Schrijver en onderzoeker Luciano Saracino gaat op zoek naar de oorsprong van dit vervloekte werk.
A peculiar, meticulous, vocationally archeological account of the professional life of the actor, Spanish by birth, Argentinean by adoption, Narciso Ibañez Menta (1912-2004), spiritual disciple of Lon Chaney, the new man of a thousand faces, master of horror, star of Argentinean theater, cinema and television for decades.
For many, the name Malvinas/Falklands evokes an absurd war between England and Argentina in 1982. For Julieta Vitullo, the protagonist of this film, this tragic history becomes deeply personal 25 years later when she suffers a loss associated with her search to uncover that past, unfolding into a life-affirming struggle for renewal and rebirth. This film tells the story of two trips, one made in 2006 and the other in 2010. In the space between one trip and the next, between past and present, between the public and the private, between what can and cannot be told, the movie reflects on the possibilities of conveying extreme life experiences, presenting landscapes and sounds that suggest subtle contours of that shape, 'The Exact Shape of the Islands.'
Juan, a young rural bandit, is in a relationship with a lady who is wanted by the aggressive town commissioner. He must solve his problems with the law, even if it costs him to lose love. Based on the story of Juan Bautista Vairoletto, 'The Argentinian Robin Hood'.
Camilo is a 10-year-old boy who has a conscience that is too awake, serene and transcendent for his age. He lives in the midst of amusing and dangerous chaos, of a family of characters deeply affected by the tremendous impossibility of developing normally in the world, in our current society. Through their eyes we will see how each one, consciously or unconsciously, inevitably constructing their own destiny.
The Huge are dwarf superheroes who inhabit Huge City, within another dimension. The problem arises when Max (who once was also a Huge) uses the technology of his former companions to enter the world of humans and, under the nickname of The Lord of Evil, become the leader of a criminal gang that kidnaps the Hour Officer (Magalí Moro) to ask for 10,000 kilos of gold as a ransom.
Submerged under the blows and fury of the boxing ring, Daniela "La Bonita" Bermúdez, a young and introverted girl, aspires to be someone in life. Raised in a humble family of boxers, Daniela represents her only outlet for her family and she personifies the frustrated dream of her father, manager and coach.
Paloma is a young adult who finds herself living in automatic mode, following every imposed social norm, already working in an office and living alone in a studio apartment. Her daily life passes fleetingly and with little taste, until one night, after a long day of work, she receives an email titled FOR MY FUTURE SELF, which prompts her to change her life.
This documentary is a portrait made in Mexico by a group of Argentine exiles, directed by the painter Nicolás Amoroso.
At a tabern in the argentine interior, xenophobia among gauchos is in charge of blurring the line between the law and the trap.
A hostage situation gone bad. Jesús, an amateur thief, holds prisoner a group of clients. But nothing is what it seems. Behind the gates of the drugstore the story will unfold in two times. On one side, to the inevitable end: the police will shoot their way inn. And on the other side, to the past, unveiling how Jesús got caught in this situation, where the hostages are not the real victims, but something more sinister. Retracing step by step, reveling the truth, playing with the prejudices and beliefs of the audience on racial hate, social prejudices, and the intolerance. How far are we willing to go to survive?
