임시직을 전전하는 세바스티안은 그의 개에게 헌신적인 30대 평범한 남성이다. 그는 평범한 성인들의 삶의 리듬대로 사랑, 이별, 결혼, 그리고 부모 되기 등의 단계를 밟아 나간다. 자신이 할 수 있는 최선을 다해 세상에 적응하기 위해 노력해 온 세바스티안에게 생의 순간순간은 풀어야 할 숙제의 연속이다. 그러던 어느 날, 알 수 없는 바이러스가 전파된다. 이 바이러스에 오염된 공기는 인간의 상체 부근에 머물며, 보호장비 없이 그 공기를 마신 사람들을 죽인다. 이제 사람들은 우주인을 연상시키는 유리구를 머리에 쓰고서만 직립 보행을 할 수 있다. 하지만 높은 가격대로 인해 세상은 유리구를 갖춘 사람들이 직립 보행을 하는 세상과 유리구가 없는 사람들이 쪼그리고 앉아 보행하는 세상, 둘로 나뉜다. 이 영화는 풍부한 반추적 은유들을 통해 부의 양극화가 더욱 심화되고 있는 코로나 팬데믹 시대의 평범한 사람들의 쓸쓸한 자화상이 된다.

The night shift clerk at a sex hotel, suffering from narcolepsy, is faced with a night when things are unusually busy and housekeeping finds a gun in room 6.

Deep in the forest a group of five friends wander around like a lion herd. Lost in their word games, they play and seduce each other while going back and forth into adulthood territory, in a desperate search to avoid their already written story.

At a tabern in the argentine interior, xenophobia among gauchos is in charge of blurring the line between the law and the trap.

A peculiar, meticulous, vocationally archeological account of the professional life of the actor, Spanish by birth, Argentinean by adoption, Narciso Ibañez Menta (1912-2004), spiritual disciple of Lon Chaney, the new man of a thousand faces, master of horror, star of Argentinean theater, cinema and television for decades.

Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.

Juan, a young rural bandit, is in a relationship with a lady who is wanted by the aggressive town commissioner. He must solve his problems with the law, even if it costs him to lose love. Based on the story of Juan Bautista Vairoletto, 'The Argentinian Robin Hood'.

For many, the name Malvinas/Falklands evokes an absurd war between England and Argentina in 1982. For Julieta Vitullo, the protagonist of this film, this tragic history becomes deeply personal 25 years later when she suffers a loss associated with her search to uncover that past, unfolding into a life-affirming struggle for renewal and rebirth. This film tells the story of two trips, one made in 2006 and the other in 2010. In the space between one trip and the next, between past and present, between the public and the private, between what can and cannot be told, the movie reflects on the possibilities of conveying extreme life experiences, presenting landscapes and sounds that suggest subtle contours of that shape, 'The Exact Shape of the Islands.'

A hostage situation gone bad. Jesús, an amateur thief, holds prisoner a group of clients. But nothing is what it seems. Behind the gates of the drugstore the story will unfold in two times. On one side, to the inevitable end: the police will shoot their way inn. And on the other side, to the past, unveiling how Jesús got caught in this situation, where the hostages are not the real victims, but something more sinister. Retracing step by step, reveling the truth, playing with the prejudices and beliefs of the audience on racial hate, social prejudices, and the intolerance. How far are we willing to go to survive?

Submerged under the blows and fury of the boxing ring, Daniela "La Bonita" Bermúdez, a young and introverted girl, aspires to be someone in life. Raised in a humble family of boxers, Daniela represents her only outlet for her family and she personifies the frustrated dream of her father, manager and coach.

This documentary is a portrait made in Mexico by a group of Argentine exiles, directed by the painter Nicolás Amoroso.

Camilo is a 10-year-old boy who has a conscience that is too awake, serene and transcendent for his age. He lives in the midst of amusing and dangerous chaos, of a family of characters deeply affected by the tremendous impossibility of developing normally in the world, in our current society. Through their eyes we will see how each one, consciously or unconsciously, inevitably constructing their own destiny.

The Huge are dwarf superheroes who inhabit Huge City, within another dimension. The problem arises when Max (who once was also a Huge) uses the technology of his former companions to enter the world of humans and, under the nickname of The Lord of Evil, become the leader of a criminal gang that kidnaps the Hour Officer (Magalí Moro) to ask for 10,000 kilos of gold as a ransom.

For many years, Buenos Aires, Argentina, was one of the best places in the world for a film buff; but from the mid-sixties onwards, successive authoritarian governments shaped the will of the spectators, dictating what could be seen and what could not, so that the true cinema lovers, in their desire to watch films, had no choice but to embark on the most extraordinary and strange adventures.

Paloma is a young adult who finds herself living in automatic mode, following every imposed social norm, already working in an office and living alone in a studio apartment. Her daily life passes fleetingly and with little taste, until one night, after a long day of work, she receives an email titled FOR MY FUTURE SELF, which prompts her to change her life.

Remembering his old memories, he will leave a photograph in every place where he was happy.