Два великих актера — Роберт Де Ниро и Роберт Дюваль играют роли двух братьев, ищущих таинственного убийцу, чья жестокость не укладывается в рамки обычного понимания — тело жертвы разрезано пополам. Расследуя это зверское убийство юной проститутки, офицер полиции Том приезжает в город, где живет его брат — священник монсеньер Десмонд Спелласи. В деле оказываются замешанными самые уважаемые люди города, жертвующие огромные деньги на благотворительность и церковь. Так или иначе, но и священник, и полицейский тоже втягиваются в эту грязную игру, где запах денег отравляет души всех смертных.
Four girls in search of thrills find more than they bargained for when they get caught in a vice trap with no escape.
"Films Confiscated from a French Brothel" is a bare all Avant-garde Anthology homage to silent stag films.
A sado-masochistic fantasy of a guy dreaming about flogging a chained up Stacey Walker. Then it becomes a nightmare with Walker as a cruel dominatrix and the guy bound to a post. "Dreamgirl", aka "Stacey Walker, Dreamgirl" (c. 1966) is a strange little film by producer David F. Friedman that was released as a short. But it also appears to be an excerpt or alternate take from "A Smell of Honey, a Swallow of Brine" (1966) with legit actor Sam Melville. (archive.org)
This collection of black and white 8mm loops from yesteryear begins with a fun-but-minor excursion into the nudie stag films of the ‘50s and ‘60s featuring British pin-up June Palmer. The rest of the vintage loops contained on NUDE IN DRACULA'S CASTLE are of your average Girl-Strips-Down-On-Bed-And-Gyrates variety. (shockingimages.com)
A short performance by Bettie Page.
Much of Hunter's fame was built upon her resemblance to Marilyn Monroe; indeed, her Playboy pose was obviously inspired by Monroe's notorious 1949 nude photo session with Tom Kelley from which her own Playboy photo came. The similarity in look between Hunter and Monroe also came into play when a nude Hunter starred in a film short called Apple Knockers and Coke. For many years there have been those who have seen the film and have mistaken Hunter for Monroe.
Part of Piero Bargellini's Lost Cinema.