For 25 år siden overlevede Jane en massakre, der tog livet af hele hendes familie. Nu er hun blevet en voksen kvinde og arbejder som fotograf, hvor hun blandt andet tager billeder af gamle gårde. En dag tager hun billeder af en gård, der virker underlig bekendt. Det går pludselig op for hende, at det er hendes barndomshjem! Jane begynder at se visioner og bliver meget hurtigt bekymret for, hvilke andre hemmeligheder, der ligger begravet i hendes sind.

In 1931, following the success of the film Battleship Potemkin, Soviet filmmaker Sergei Eisenstein travels to the city of Guanajuato, Mexico, to shoot a new film. Freshly rejected by Hollywood, Eisenstein soon falls under Mexico’s spell. Chaperoned by his guide Palomino Cañedo, the director opens up to his suppressed fears as he embraces a new world of sensual pleasures and possibilities that will shape the future of his art.

I turned my gaze to the various events in daily life and made this filmic diary in a manner as if confessing my feelings. Of course, since I was making the film, I wanted to depict these feelings and events with tricky techniques. I used various methods to shoot photographs of a relative's wedding, the landscape I see from window of my house, commemorative travel photographs and the like frame-by-frame.

A twisted tale of crime, trust and desire, Framed! shows three perspectives of an unconventional robbery: The Curator’s, The Ambassador’s and The Professional Thief. However, there is more to this peculiar crime than it seems...

Elliott Erwitt has spent his entire adult life taking photographs, of presidents, popes and movie stars, as well as regular people and their pets. His work is iconic in world culture while his life is largely unknown.

This remarkable companion piece to In the City of Sylvia offers a compendium of images recorded by Guerín in Strasbourg while searching for the traces of a (fictional?) brief encounter some years earlier with a young woman named Sylvia.