คลินท์ อีสต์วูดรับบท "บุรุษไร้นาม" หนังเหนียวในการตามล่าสุดอันตรายเพื่อตามหาเงิน 200,000 ดอลลาร์ของสหพันธรัฐพร้อมกับลี แวน คลีฟและอีไล วอลลัค ในหนังคาวบอยตะวันตกชื่อดังสุดคลาสสิกที่ทรงอิทธิพล กำกับโดยเซอร์จิโอ ลีโอนผู้มากฝีมือ
Set in the South just after the US Civil War, Laurel Sommersby is just managing to work the farm without her husband, believed killed in battle. By all accounts, Jack Sommersby was not a pleasant man, thus when he suddenly returns, Laurel has mixed emotions. It appears that Jack has changed a great deal, leading some people to believe that this is not actually Jack but an imposter. Laurel herself is unsure, but willing to take the man into her home, and perhaps later into her heart.
In 1880s Australia, a lawman offers renegade Charlie Burns a difficult choice. In order to save his younger brother from the gallows, Charlie must hunt down and kill his older brother, who is wanted for rape and murder. Venturing into one of the Outback's most inhospitable regions, Charlie faces a terrible moral dilemma that can end only in violence.
เรื่องราวที่เกิดขึ้น 20 ปีหลังจากอุบัติเหตุการเสียชีวิตของหนุ่มไฮสคูลในโรงเรียนแห่งหนึ่งที่ตั้งอยู่ในเมืองเล็ก ๆ เพื่อเป็นการรำลึกถึงโศกนาฎกรรมในครั้งนั้น เหล่านักเรียนจึงหยิบเรื่องราวเดิมกลับมาสานต่อเพื่อเป็นเกียรติแก่ผู้ล่วงลับ แต่แล้วพวกเขากลับพบว่าบางสิ่งบางอย่างควรจะปล่อยทิ้งไว้ดีกว่า
When his mother eloped with an Italian opera singer, Louis Mazzini was cut off from her aristocratic family. After the family refuses to let her be buried in the family mausoleum, Louis avenges his mother's death by attempting to murder every family member who stands between himself and the family fortune. But when he finds himself torn between his longtime love and the widow of one of his victims, his plans go awry.
Three vignettes of old Irish country life, based on a series of short stories. In "The Majesty of the Law," a police officer must arrest an old-fashioned, traditional fellow for assault. The man's principles have the policeman and the whole village, including the man he slugged, sympathizing with him. "One Minute's Wait" is about a little train station and glimpses into the lives of the passengers, with a series of comic setups. The third piece, "1921," is about a condemned Irish nationalist and his daring escape.
A portrait of the life and career of the infamous American execution device designer Fred A. Leuchter, Jr. Mr. Leuchter was an engineer who became an expert on execution devices and was later hired by holocaust revisionist historian Ernst Zundel to "prove" that there were no gas chambers at Auschwitz. Leuchter published a controversial report confirming Zundel's position, which ultimately ruined his own career. Most of the footage is of Leuchter, working in and around execution facilities or chipping away at the walls of Auschwitz, but Morris also interviews various historians, associates, and neighbors.