ชีวิตของชายผู้ไร้โชคต้องผลิกผันเมื่อมีคนนับล้านเริ่มมองเห็นเขาในความฝัน เขาจึงต้องออกเดินทางในเส้นทางของการเป็นคนดัง

เครก นักเชิดหุ่นที่มีพรสวรรค์มากแต่ขาดโอกาสได้เข้าไปทำงานในบริษัทเเห่งหนึ่งตามคำแนะนำของภรรยา บริษัทตั้งอยู่บนชั้น 7 ครึ่งของตึกมาร์ตินเฟลมเมอร์ และที่นั้นเครกก็ได้ตกหลุมรักพนักงานที่พึ่งเข้ามาใหม่เช่นกันชื่อแม็กซีน แต่เธอไม่ได้ชอบเครก สุดท้ายเครกก็ได้ไปพบกับประตูลึกลับที่สูงเพียงเเค่ครึ่งเดียว พอเข้าไปเขาก็ต้องไปโผล่อยู่ในหัวของดาราดังชื่อ จอห์น มัลโควิช และเรื่องราวประหลาดๆสุดเเสนจะเพี้ยนก็ได้เริ่มต้นขึ้น

เรื่องราวของ "คริส" นักจิตวิทยาที่ถูกส่งตัวขึ้นไปยังสถานีอวกาศเก่าแก่เพื่อประเมินสถานการณ์ว่า เหล่าลูกเรือยังสมควรปฏิบัติภารกิจสำรวจดาวเคราะห์โซลาริสต่อไปหรือไม่ ทว่าสิ่งที่เขาได้พบบนนั้นกลับเต็มไปด้วยความคลุมเครือ บรรยากาศที่ไม่น่าไว้วางใจ ท่าทีชวนสะพรึงของเพื่อนร่วมงานที่เหมือนเก็บงำอะไรบางอย่างไว้ หรือแม้แต่การต้องเผชิญหน้ากับภรรยาของเขาเอง...ทั้งที่เธอตายจากไปแล้ว!

A man entranced by his dreams and imagination is lovestruck with a French woman and feels he can show her his world.

A research scientist explores the boundaries and frontiers of consciousness. Using sensory deprivation and hallucinogenic mixtures from native American shamans, he explores these altered states of consciousness and finds that memory, time, and perhaps reality itself are states of mind.

On their road trip through the southwestern desert, Alex and his girlfriend Scarlett arrive in a town in the middle of nowhere and take a room in a mysterious hotel so that Scarlett, who is feeling increasingly ill, can get some rest.

A married, middle-aged professor meets a mysterious woman in the woods and has an affair with her.

It is a significant day for 80 year old Antonio. After an absence of many years, his estranged son is coming to visit. All must be perfect. There will be a toast with a very special champagne an embrace; warm words that may finally bridge the gap between them-- But before, Antonio must wait. Bedridden, he looks out his window at the Patagonian landscape and sees light and life, the past and the pr

A scientist attempts to perform memory transfusions with disastrous results.

We all carry hell with us. The filmmaker’s hell exists on a canvas, which he studied carefully in childhood. The mystical picture has many names: Circus, Hell, Game at the Arena. Decades later he finds the painting again. The film unravels as loose ponderings about the plight of being an artist and touches upon the filmmaker’s personal demons. Can he see the painting in a new light?

In September 1957, the philosopher Carl Gustav Jung was interviewed in Houston. Part of that interview was filmed in 16mm. After reviewing the images obtained, the footage was censored in many countries, ending up in oblivion, lost in a warehouse in Central America. Just 50 years later, after several years of searching for images around the world and a difficult reconstruction and restoration, the director Shang Solomon offers us on the big screen almost all of the interview with Jung, known as the main opponent to the theories of Freud and an eminence of the Philosophy and the History of Psychology.

Following a strange encounter with a swan found on the streets of London, a girl begins to lose her grip on reality. She is led to a large house where the lines between dreams and memories become indistinguishable, as she struggles with her relationships, her obsession with perfection and her identity. Loosely inspired by the mythology of Leda and The Swan, it looks at the way women cope with trauma, questions the idea of self and takes you on a journey through one woman's psyche.

The argument with the soul becomes a crucial phase of the individuation process, since, after all, it is our most personal ambiguity that, with cunning and delusion, drags incredible things into life, as the desire of an inert body, convincing us of moving, touching the earth, getting tangled up and staying.

MARIANNE (Evabritt Strandberg) is a 68-year old woman diagnosed with a terminal disease. Left with angst, she seeks therapy at a clinic where she is treated with Psilocybin (LSD) and meditation by a counselor, Eva (Hanna Schygulla). Through this she is transferred to her subconscious, where she meets and confronts her 25-year old self and her former husband.

Prarthana and her friends embark on a weekend getaway, but Prarthana becomes increasingly uneasy when Sandeep fails to arrive. Her concern escalates into panic as she desperately searches for him, only to come up empty-handed. As she investigates further, she begins to experience paranormal activity around her, and sinister forces seem to be closing in.

In a world where everyone's faces are painted, hers gets complicated with an experience. This leads her to a long and heavy journey with those of the same biological species. But is this sufficient for humanity's individuals to be similar?

A metaphorical tale of subconsciousness.