A magical adventure begins Once upon a time, within a vast and wild forest there was a fantastic Kingdom called Rodencia, a place where wonderful creatures and powerful wizards lived. It's the story of adventures and love of a small mouse called Edam, a clumsy magician's apprentice and the beautiful and confident mouse Brie, who will have to face many dangerous obstacles in order to obtain the power of the princess's tooth and defeat the troop of rats commanded by the evil Rotex who invades Rodencia (the peaceful kingdom of mice), in order to dominate them and take their treasure. In the middle of the forest; the magic of the light and the darkness, the love and resentment will face together. Edam and Rotex will fight and only one will leave victorious.
A young woman becomes the eighth wife of the wealthy Bluebeard, whose first seven wives have died under mysterious circumstances.
Two travellers are tormented by Satan from inn to inn and eventually experience a buggy ride through the heavens courtesy of the Devil before he takes one of them down to Hell and roasts him on a spit.
The background of this picture represents a scene along the beautiful river Seine in Paris. A gentleman enters, and taking a blackboard from the side of the picture, he draws on it a sketch of a novelist. Then, standing in the centre, he causes the living features of his sketch to appear in the place of his own, which is utterly devoid of whiskers. The change is made so mysteriously that the eye cannot notice it until one sees quite another person in the place of the first. Again another sketch is shown on the board, this one being that of a miser; then an English cockney; a comic character; a French policeman, and last of all, the grinning visage of Mephistopheles. It is almost impossible to give this film a more definite description; suffice it to say that it is something entirely new in motion pictures and is sure to please. (Méliès Catalog)
The setting of this fantastic scene represents the hall of an old chateau in which a miser has locked up seven large bags containing his wealth. Satan, who has made his way into the chateau, puts the seven bags in a strong box, and makes with his hands some cabalistic motions. The miser comes into the hall and is greatly astonished to find his fortune missing. He opens the coffer and immediately the bags leap out. He gathers them up and puts them back into the coffer. When he opens it again he finds that they have been transformed into seven young girls, who rush out and chase after him, beating him unmercifully. They shut him up in the coffer from which his gold has vanished. The miser pushes open the lid of the coffer, and to his profound despair finds that both young girls and money have disappeared. (This view is most sensational in its mysterious scenes.) (Star Film Catalog)
Sherlock Holmes enters his drawing room to find it being burgled, but on confronting the villain is surprised when the latter disappears.
A romantic couple are transformed into skeletons via X-Rays. The film combines two very recent innovations: Wilhelm Roentgen's discovery of X-rays in 1895, and Georges Méliès' accidental realisation of the special-effects potential of the jump-cut in 1896.
A demonic magician attempts to perform his act in a strange grotto, but is confronted by a Good Spirit who opposes him.
Pluto, having seen the earth, comes back home amazed at the success of that well-known dance, the "cake-walk." He has brought back with him two noted well-known dancers, who start their favorite dance amidst the flames.
In an effort to secure a promised inheritance, Onésime invents a time machine that speeds up activity on earth, hyper-animates men and machines, and telescopes the human life-cycle.
A family sits down to enjoy a meal that ends up being fraught with complications.
The first scene presents before the astonished eyes of the spectators a solid piece of marble, which the minute it is placed on a table seems to take life, and one can follow a snake-like line branding on the polished face of the stone the name of the house of Pathé Frères. As soon as this stone has been engraved, as by magic, a handsome young lady appears with a huge lump of clay covered with a cloth. As soon as the cloth is removed from the soft mass it starts whirling and turning as if stricken mad, and one is asking one's self what all the contentions are going to lead to, when the vague shape of an animal not yet discernible seems to appear, and before one has time to make one's mind as to the category of brutes to which it belongs one sees the form of a remarkably well made orang-utan modelled out of the clay, who calmly smokes his pipe. Then the statue is removed by the same winning young lady and another covered block of the same substance is carried forward.
The scene opens in an artist's studio where the unfinished statue of William Tell stands upon a pedestal. A clown appears and sticks a clay arm and clay head on the statue, thus completing it. He places a large brick on top of the head to make it stick. When he turns his back the statue turns into a living representation of William Tell. (Edison Catalog)
A woman enters a room with a man. She creates a duplicate of him and changes his personality by throwing his clothes from one man to the next.
Two impish clowns construct a magic lantern. They prop it up at an angle, and use it to project pictures onto a wall. When the picture show ends, they open up the lantern to reveal a group of dancing girls inside - and this is only the first of the indications that this lantern really is magical.
An old proprietor is startled and haunted by the strange happenings inside his curiosity shop.
A re-telling of the classic tale of Faust in all of two minutes by French filmmaker Alice Guy.
Pierrot goes to the house of his love to serenade her, but her father kicks him out. Soon the moon and its goddess Diana come towards the man and offers him something better.
A diver jumps into a body of water-- and then comes right back out!