Ajatashatru Lavash Patel has lived all his life in a small Mumbai neighborhood tricking people with street magic and fakir stunts. He sets out on a journey to find his estranged father but instead gets dragged on a never-ending adventure.

Paris interdit follows the pattern of the Italian mondo style documentaries which began in 1962 with MONDO CANE. The film jumps from one strange scenario to the next, including a woman who goes publicly nude on a bet, a family man wearing an anti-radiation suit in fear of the end of the world, a orgy-indulging cult with a kissing fetish, a role-reversal wedding of performing transvestites, a middle-aged man who gives striptease lessons to housewives, a self-absorbed loner who believes he’s a vampire, a ritualistic funeral procession involving the burning of a mannequin, a mass swimming pool baptism, etc. Probably the most fascinatingly grotesque bit, which at the same time is strangely touching, is when a woman has her beloved deceased medium sized dog stuffed by a pipe-smoking taxidermist (shown in graphic detail) and installed with an electronic barking device!

The feature-length documentary Fakir portrays the success of fakirism in Brazil, Latin America and France. This circus art origin show is presented and analyzed through archives that reveals the success of these presentations with their pain resistance championships and the great public presence, including politicians and government officials. Fakir spans current footage from contemporary artists who keep this art alive in performances and shows.

This Belgian/French tale chronicles the efforts of Jacques (Jacques Brel) to find the Old West in modern America. Dressed as cowboy, he travels throughout western American cities and towns and finds others similarly dressed. These idealists gather together and build an old-western-style town in the middle of an abandoned factory, battling local bureaucracies in the process.

Made on a shoestring budget, François Ruffin and Gilles Perret’s investigative documentary has the adventurous spirit of a road movie. Intimate and sometimes humorous, encounters with yellow vest protestors pierce through reports of violence and destruction, revealing a collective desire for equity.

Gérard, CEO of the factory "La voix du peuple", decides to close his factory by dismissing all his staff, starting with Jean Barbier, the chief of staff, and Phil Dechambre.

The fakir with his trick monkey is seated on the pavement in a street in Cairo. He plays a tom-tom, while the monkey dances the couchee-couchee. The movements of the monkey are very comical. (Taken on the winter cruise of the S. S. "Auguste Victoria" of the Hamburg-American Line, leaving New York on 03 Feb 1903.)

Jaw-dropping acrobatics for royal visitors.