TV producer Pierre Delacroix becomes frustrated when network brass reject his sitcom idea. Hoping to get fired, Delacroix pitches the worst idea he can think of: a 21st century minstrel show. The network not only airs it, but it becomes a smash hit.
A young songwriter leaves his Kentucky home to try to make it in New Orleans. Eventually he winds up in New York, where he sells his songs to a music publisher, but refuses to sell his most treasured composition: "Dixie." The film is based on the life of Daniel Decatur Emmett, who wrote the classic song "Dixie."
A young man from a wealthy New York family pursues a career as the leader of a dance band.
Two black brothers in a traveling minstrel show in the early part of the twentieth century have two different goals. One brother is determined to succeed in a field that is dominated by white performers in blackface, and the other is a composer fighting to break away from the stereotypes associated with black minstrel performers.
Margie, singer on a showboat, decides to try her luck in New York inspite of being in love with the owners grandson. She is successful, but suddenly she hears that the showboat is in deep financial trouble, and she calls all the boats former stars to join in a big show to rescue it.
A songwriter leaves his chorus girl sweetheart to join the US Army in WWI. In France he falls in love with French singer Madelon. He is crippled in action. Back in the States, his girl friend there leaves him. But Madelon can't forget him and comes to the USA to work there as singer. Per chance she meets the songwriter, and he is cured. Singing one of his love songs, he knows that he has found the right girl.
At its peak, The Black and White Minstrel Show was watched by a Saturday night audience of more than 20 million people. David Harewood goes on a mission to understand the roots of this strange, intensely problematic cultural form: where did the show come from, and what made it popular for so long? With the help of historians, actors and musicians, David uncovers how, at its core, blackface minstrelsy was simply an attempt to make racism into an art form - and can be traced back to a name and a date.
Four black minstrels turn into white clowns and back again when they hit or kick each other.
A young boy finds himself in a home for retired minstrel acts. He's anxious to find out as much as he can about them, and flashbacks show what it was like back in the days of the minstrel shows.
Five black and white minstrels dancing and playing musical instruments in Rupert Street, London.
In this entertaining short, famous literary figures step out of the pages of books after dark.
Amusing cake walk of three men and two women (colored) in costume, showing the usual antics that occur in affairs of this kind.