1950 Belgian short documentary by Paul Haesaerts

An imaginary insight into Pablo Picasso's creative mind and painted creatures and characters. We enter in his head and walk with him the intricate maze that was his imagination to find the creatures and stories that populated his psyche and came out when he painted a canvas. His imagination is presented as the myth of the maze and the Minotaur, and some of the characters in the piece are in Picasso's real paintings - his famous dove, the Minotaur, and the ladies of Avignon, among many others.

Documentary telling the story of the women who fed the life and art of Pablo Picasso, many of whom would find themselves damaged forever by the experience of being his partner.

Dora Maar, a world-class photographer who began her artistic career in the French Surrealist scene of the 30s, lived in the shadow of Spanish painter Pablo Picasso, her lover between 1935 and 1943, with whom she maintained a chaotic, even violent, relationship. Fortunately, she survived Picasso's abusive behavior and its sequels to find a new path, the best one, the one that is worth to be told, in spite of Picasso.

“When Picasso died I wanted to make the first post-mortem documentary, as I knew would happen anyway, and cheaply. The film took four hours to finish from camera to print and cost a little under $5."

"Too much Picasso kills Picasso?" In France as in a lot of other parts of the world Pablo Picasso's art and life is on exhibition. An episode of Le Figaro's Les Décrypteurs.

The story of a nine-year-old boy Denis, who first enters the circus. The new world captures his imagination. He falls in love with a little actress, an equilibrist — a girl on a ball. After a while, Denis persuades his father to go with him to the circus again. But the performances in Moscow ended, the fairy flew away to another city... Once, being in a museum, he sees a painting by Pablo Picasso "Girl on a Ball". In this picture he recognizes his love — Tanya ...

In this surrealist film director Picasso can awaken from the dead. He steals a paintings painted by himself of a couple of wealthy psychiatrists. When Picasso meets Takla Bash, a patient of the psychiatrists, Picasso falls in love. Although it is his own daughter, he remembers an incredible love affair, in which a film with a blue cow plays a role. In the majority of the paintings shown in the film are works of Herbert Achternbusch.

Two crooked gallery officials swap a Picasso for a fake hoping to make a fortune. When thieves break into the gallery to steal the Picasso, an amusing chain reaction snowballs into a hilarious romp.

Biographer Sir John Richardson and Picasso’s granddaughter, Diana Widmaier Picasso, are the star witnesses in a documentary that reassesses the artist’s output in the years before his death in 1973. The story is of a creative spirit finding new impetus in response to both death’s approach and the censure of contemporaries and critics. Those who were members of Picasso’s private inner circle – gossip about his lifestyle also helped to fire him back up – put the later work forward as some of his frankest, wittiest and most profound.

Schwartz reordered and combined angular contours, broken planes, and distorted proportions in her own pictorial structures in an homage to Picasso's style.

The evolution of Picasso's painting up to his “pink phase.”

Pablo Picasso is one of the greatest artists of all time - and right up until his death in 1973 he was the most prolific of artists. Many films have dealt with these later years - the art, the affairs and the wide circle of friends. But where did this all begin? What made Picasso in the first place? Too long ignored, it is time to look at the early years of Picasso; the upbringing and the learning that led to his extraordinary achievements.

Home movie from Man Ray while on vacation with Pablo Picasso, Paul, Nusch and Cecile Eluard, Emily Davies, Valerie and Roland Penrose. The friends have fun with themselves and performing for the camera.

The opening of the Picasso-National Museum in Paris granted a unique chance for Didier Baussy to document the precious collection in the museum in 81-minutes of film. The museum shows paintings held back by Picasso himself which have been very valuable for his connection to the world and his memories. A sensitive Analysis of these pictures dominantly from the Guernica-phase, grant a deep insight into the history of this artist and man Picasso, a geographical location of the scenes and a glimpse of his sources of inspiration.

Paris, 1911. When Da Vinci's painting “La Gioconda” is stolen from the Louvre museum, it is suspected that the authors of the audacious theft are members of a group of bohemian artists led by painter Pablo Ruiz Picasso and poet Guillaume Apollinaire…

In 1937 the Nazi regime held two exhibitions in Munich: one to stigmatize “Degenerate Art” (which they systematically looted and destroyed) and one, personally curated by Hitler, to glorify “Classic Art”. This immersive new documentary reveals the Nazi’s complicated relationship with classical and modern art, displaying an incredible number of masterpieces by Botticelli, Klee, Matisse, Monet, Chagall, Renoir and Gauguin amongst others, intertwined with human stories from the most infamous period of the twentieth century. A state-of-the-art detective story exploring the Nazis’ obsession with creative expression, Hitler versus Picasso combines history, art and human drama for an unforgettable cinema experience.