Jie pamišę labiau už tuos, kurie buvo pakvaišę dėl Merės… Jų seksualinės užuominos dar aštresnės, nei Byvio ir Tešlagalvio. Kas juos sieja? Jie visi bet kokia kaina nori paragauti skaniausio pyrago. Ir tučtuojau! Keturi vaikinai, baigiantys vidurinę mokyklą, turi vieną bendrą tikslą: Džimas, Kevinas, Finčas ir Ozas beprotiškai trokšta prarasti nekaltybę. Giliausiu jų įsitikinimu, tai labai svarbu padaryti dar prieš studijas koledže. Blogiausia, kad tik vienas iš keturių vaikinų turi rimtą draugę, tačiau ir ši vis dar abejoja, ar yra pasiryžusi tikram seksui.
Humbert Humbert is a middle-aged British novelist who is both appalled by and attracted to the vulgarity of American culture. When he comes to stay at the boarding house run by Charlotte Haze, he soon becomes obsessed with Lolita, the woman's teenaged daughter.
Tai poetinė ir gaivališka drama apie erotinį moters gyvenimą nuo gimimo iki penkiasdešimtmečio, kurios režisierius yra vienas garsiausių šių dienų kino provokatorių, tarptautinio Kanų kino festivalio persona non grata Lars‘as von Trier‘as. Šaltą žiemos vakarą žavus senyvo amžiaus viengungis Seligmanas (akt. Stellan Skarsgård) randa Džo sumuštą gatvėje. Jis parsiveda ją į savo namus, aptvarko žaizdas ir paprašo papasakoti apie savo gyvenimą. Vyras įdėmiai klausosi gašlių Džo istorijų apie erotinius jos žaidimus. Pagrindinę heroję įkūnijo danų kūrėjo gerbėjams puikiai pažįstama aktorė Charlotte Gainsbourg, o pirmoje filmo dalyje jaunąją Džo vaidina aktorė Stacy Martin.
Endžiui Sticeriui – keturiasdešimt. Normalus, gan išvaizdus vyriškis, beje, per gyvenimą nemažai pasiekęs. Endis dirba nuobodų, bet nesunkų ir neblogai apmokamą darbą elektronikos prekių parduotuvėje. Jis gyvena gražiame bute, yra sukaupęs įspūdingą komiksų herojų figūrėlių kolekciją, turi gerų draugų ir apskritai yra puikaus charakterio žmogus. Tikras lobis bet kokiai moteriai, jei ne viena „smulkmena“. Per visą savo gyvenimą Endis niekada nesimylėjo su jokia moterimi (su vyru – taip pat). Keturiasdešimtmetis skaistuolis?! Akivaizdu, bet neįtikėtina. Pačiam Endžiui tai ne problema, tačiau jo draugams ši „smulkmena“ tiesiog netelpa galvoje ir dieną naktį neduoda ramybės. Na taip, Endis – kiek keistokas vyrukas, tačiau net didžiausiems pasaulio keistuoliams kartais nusišypso laimė padaryti TAI. Nusprendę, kad draugą nelaimėje pažinsi, visi puola ieškoti sekso partnerės.
Praėjus dešimčiai metų po pirmojo pyrago, trys nauji gyvenimu nusivylę jaunuoliai atranda „meilės knyga“, kuri visą laiką „laukė“ jų bibliotekoje. Jų nelaimei, knyga sugadinta...
This episodic film is a close relative of Wolf Hartwig's schoolgirl report movies, made by the same people, in a similar style, around similar topics. However, this one specifically focuses on the coming-of-age aspects, to an extent that it also touches on delicate issues such as paedophilia.
In 1954 Florida, a group of high schoolers seek out to lose their virginity which leads them to seek revenge on a sleazy nightclub owner and his redneck sheriff brother for harassing them.
Feeling pressured to become more sexually experienced before she goes to college, Brandy Klark makes a list of things to accomplish before hitting campus in the fall.
Three teenage girls decide to visit a romantic island and find love. They get shipwrecked and end up on different sides of the island. Each girl begins her own romantic adventure either with a man, a boy or even another girl.
In 1965, four Los Angeles school friends -- Woody, Dave, Spider and Wendell -- go on a series of misadventures when they head to Tijuana, Mexico, for a night of cruisin', causing trouble, and to lose their virginity.
When students in the town of Cherry Falls hear that a serial killer is targeting virgins, they realize that the only way to protect themselves is to begin planning a "Pop Your Cherry" party.
When a foreign-exchange student and a hooker - both named Dominique - show up on a college campus, the unsuspecting student body is in for the education of a lifetime!
The friendship of a group of young friends struggling with teen sex, drugs, and work is jeopardized by a romantic interest which may turn pals into bitter rivals.
Follows Andy, who needs to hook up with a hottie, pronto, because he hasn't had sex in... well, forever - and his luck isn't the only thing that's hard. His equally horny teenage roommates also need it superbad, and with the help of their nerdy pal, McAnalovin' and his fake I.D., they may tap more than just a keg.
Sue, Cheryl and Lexi are three college freshmen who have been best friends since they were born on the same day. They do something special every year for their birthday, but on their eighteenth, they set out to lose their virginity.
A virginal high school senior decides to get revenge on her jock boyfriend when she discovers he's only dating her in hopes that she'll end up in his team's "bang book."
In order to convince Raimonda, a wealthy noble woman, to finance his project for a holiday resort, Saverio gets engaged to Clotilde, her mentally-disturbed and sex-obsessed adolescent daughter. He plans to have her kidnapped and raped by an accomplice so she won't be a virgin anymore and he'll have an excuse to get out of the impending marriage. But what he doesn't plan is to fall in love with the girl...
Four guys, one camera, and their experience chronicling the exhilarating and terrifying rite of passage: losing your virginity. As these guys help their buddy get laid, they'll have to survive friends with benefits, Internet hookups, even porn stars during an adventure that proves why you will always remember your first time.
An imaginative 15-year-old is stubbornly determined to lose her virginity despite the pathetic pickings in the outskirts of Houston in the early '90s.
Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where do babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.