In the 23rd century, inhabitants of a domed city freely experience all of life's pleasures — but no one is allowed to live past 30. Citizens can try for a chance at being "renewed" in a civic ceremony on their 30th birthday. Escape is the only other option.

Lấy bối cảnh năm 2031, sau thất bại của nỗ lực khắc phục sự nóng lên của toàn cầu, Trái Đất trở về với Kỷ Băng Hà khi hoàn toàn bị bao phủ bởi băng tuyết và thế giới loài người đứng trước nguy cơ bị xóa sổ. Tất cả những người may mắn sống sót đều ở trên con tàu mang tên Snowpiercer. Con tàu đi tới khắp nơi trên Trái Đất và giống như một xã hội thu nhỏ, chứa đựng những mâu thuẫn và phân biệt giàu nghèo, giai cấp giữa những người đang phải cùng nhau đương đầu với cái chết. Quá mệt mỏi trước sự áp bức, bất công, dưới sự lãnh đạo của Curtis (Chris Evans thủ vai), những người nghèo sống ở những toa sau của con tàu đã nổi dậy tiến hành cuộc cách mạng lật đổ tầng lớp thượng lưu ở những toa trước. Tuy nhiên, cuộc nổi dậy của họ đối mặt với rất nhiều nhiều khó khăn, thử thách...

Trong một thế giới khi dân số trở nên quá tải, chính phủ phải kiểm soát người dân thông qua thiết bị vệ tinh. Đứng trước sự kiểm soát chặt chẽ đó, một nhóm chị em với biệt danh từ thứ hai đến chủ nhật đã âm thầm chống lại sự kiểm soát bằng cách vô hiệu hóa thiết bị trên.

In the future, the inmates of a private underground prison are computer-controlled with cameras, dream readers, and devices that can cause pain or death. John and his illegally pregnant wife Karen are locked inside "The Fortress" but are determined to escape before the birth of their baby.

Mark 13 is a government-built killing machine programmed with artificial intelligence, able to repair and recharge itself from any energy source. Through a series of coincidences, the cyborg's head ends up in the home of a sculptress as a bizarre Christmas present from her boyfriend. Once inside its new home, the cyborg promptly reconstructs the rest of its body using a variety of household utensils and proceeds to go on a murderous rampage.

We live in a world where the powerful deceive us. We know they lie. They know we know they lie. They do not care. We say we care, but we do nothing, and nothing ever changes. It is normal. Welcome to the post-truth world. How we got to where we are now…

Jenn lives in an underground bunker, protected from the monsters that now ravage the world. This is the day that she goes outside...

Mass suicide prevention from resource depletion, overpopulation and climate change.

It's war. War against an invisible enemy that is not as deadly as we are told. The world is changing rapidly. Disproportionate measures are taken worldwide that disrupt society as a whole. A dichotomy in society forced vaccinations and restrictions on freedom. Have we had the worst? Or is there something more disturbing to awaiting us.

Procreation is the social duty of all fertile women, was the political thinking during the 1960s and 1970s in Romania. In 1966, Ceaucescu issued Decree 770, in which he forbade abortion for all women unless they were over forty or were already taking care of four children. All forms of contraception were totally banned. The New Romanian Man was born. By 1969, the country had a million babies more than the previous average. Romanian society was rapidly changing. By using very interesting archival footage and excerpts from old fiction films and by interviewing famous personalities from that time – gynecologists or mothers who were part of the new society - the director revives this period of tremendous oppression of personal freedom. Many deaths were caused by the mere fact that women, including wives of secret Romanian agents, famous TV presenters, and actresses, had to undergo illegal abortions. Many women were jailed for having them.

Mother, the film, breaks a 40-year taboo by bringing to light an issue that silently fuels our largest environmental, humanitarian and social crises - population growth. Since the 1960s the world population has nearly doubled, adding more than 3 billion people. At the same time, talking about population has become politically incorrect because of the sensitivity of the issues surrounding the topic- religion, economics, family planning and gender inequality. The film illustrates both the over consumption and the inequity side of the population issue by following Beth, a mother, a child-rights activist and the last sibling of a large American family of twelve, as she discovers the thorny complexities of the population dilemma and highlights a different path to solve it.