En dystopisk , relativt nærliggende fremtid. Befolkningsudvikling og ressourceudnyttelse holdes under kontrol ved at genfødes påny når man fylder 30 år. Menneskerne bor i et højteknologisk miljø under jorden. Politimænd har til opgave at forhindre folk i at flygte fra det kontrollerede samfund.

I 2031 har en ny istid gjort Jorden nærmest ubeboelig. Menneskets sidste bastion er et langt højteknologisk tog, som konstant er i bevægelse. Hvis motoren stopper, fryser menneskeheden ihjel. De rigeste bor i de forreste vogne, mens de fattigste lever kummerligt i de bagerste vogne, hvor oprøret ulmer.

Overbefolkning har fået regeringen til at indføre en drastisk etbarnspolitik. I en lejlighed lever syv tvillingesøstre i skjul for myndighederne, som de narrer ved at antage en fælles identitet: Karen Settman. De syv søstre er opkaldt efter ugens dage og må færdes ude på hver deres ugedag, så de kan opleve friheden uden for lejligheden. Men en dag kommer Monday ikke hjem igen.

Året er 2012. Det er forbudt for ægtepar at have mere end et barn og da Kaptajn Brennick forsøger at smugle sin kone og deres ufødte barn over grænsen til USA bliver de fanget under et stikprøvecheck. Forseelsen takseres til 31 år i det nyeste og mest effektive fængsel, der nogensinde er bygget. Ikke alene er det umuligt at flygte fra betonbunkeren, men hver fange får indopereret en magnetisk sender, der styres fra hovedcomputeren og som enten kan give smertefulde mavekramper eller en eksploderende afgang fra denne verden. Alt går sin vante gang i fængslet 100 meter under jorden - men kun indtil Brennick opdager, at hans kone er indsat samme sted og så bryder helvede løs...

Mark 13 is a government-built killing machine programmed with artificial intelligence, able to repair and recharge itself from any energy source. Through a series of coincidences, the cyborg's head ends up in the home of a sculptress as a bizarre Christmas present from her boyfriend. Once inside its new home, the cyborg promptly reconstructs the rest of its body using a variety of household utensils and proceeds to go on a murderous rampage.

We live in a world where the powerful deceive us. We know they lie. They know we know they lie. They do not care. We say we care, but we do nothing, and nothing ever changes. It is normal. Welcome to the post-truth world. How we got to where we are now…

Jenn lives in an underground bunker, protected from the monsters that now ravage the world. This is the day that she goes outside...

Mass suicide prevention from resource depletion, overpopulation and climate change.

It's war. War against an invisible enemy that is not as deadly as we are told. The world is changing rapidly. Disproportionate measures are taken worldwide that disrupt society as a whole. A dichotomy in society forced vaccinations and restrictions on freedom. Have we had the worst? Or is there something more disturbing to awaiting us.

Procreation is the social duty of all fertile women, was the political thinking during the 1960s and 1970s in Romania. In 1966, Ceaucescu issued Decree 770, in which he forbade abortion for all women unless they were over forty or were already taking care of four children. All forms of contraception were totally banned. The New Romanian Man was born. By 1969, the country had a million babies more than the previous average. Romanian society was rapidly changing. By using very interesting archival footage and excerpts from old fiction films and by interviewing famous personalities from that time – gynecologists or mothers who were part of the new society - the director revives this period of tremendous oppression of personal freedom. Many deaths were caused by the mere fact that women, including wives of secret Romanian agents, famous TV presenters, and actresses, had to undergo illegal abortions. Many women were jailed for having them.

Mother, the film, breaks a 40-year taboo by bringing to light an issue that silently fuels our largest environmental, humanitarian and social crises - population growth. Since the 1960s the world population has nearly doubled, adding more than 3 billion people. At the same time, talking about population has become politically incorrect because of the sensitivity of the issues surrounding the topic- religion, economics, family planning and gender inequality. The film illustrates both the over consumption and the inequity side of the population issue by following Beth, a mother, a child-rights activist and the last sibling of a large American family of twelve, as she discovers the thorny complexities of the population dilemma and highlights a different path to solve it.