La vida transcorre plàcidament en una megalòpolis del segle XXIII. Els seus habitants dediquen la major part del temps a gaudir dels plaers de la vida i freqüenten botigues on poden canviar de personalitat i d'aspecte físic, gràcies a la cirurgia plàstica instantània. Tot i això, en complir els 30 anys, han de morir. Logan, un policia encarregat de caçar els que fugen de la mort, decideix també rebel·lar-se i fugir cap al desert que envolta la ciutat.
Un experiment fallit projectat per solucionar el problema de l'escalfament global, gairebé ha destruït la vida sobre la Terra desencadenant una glaciació. Els únics supervivents són els passatgers del ferrocarril Snowpiercer, un tren que recorre el món impulsat per un motor de moviment etern. El tren està dividit en dues classes: a la part davantera hi va la classe acomodada i amb privilegis, i als vagons de cua, la classe obrera. Fastiguejats per les condicions infrahumanes en què viuen, els passatgers de cua decideixen organitzar una revolució per fer-se amb el control de la màquina.
In a world where families are limited to one child due to overpopulation, a set of identical septuplets must avoid being put to a long sleep by the government and dangerous infighting while investigating the disappearance of one of their own.
L'any 2018, el món està superpoblat i els recursos naturals s'han esgotat pràcticament. El capità John Brennick i la seva dona Karen intenten fugir del país. Ella està embarassada per segon cop, cosa que suposa vulnerar una estricta llei que prohibeix tenir més d'un fill.
Mark 13 is a government-built killing machine programmed with artificial intelligence, able to repair and recharge itself from any energy source. Through a series of coincidences, the cyborg's head ends up in the home of a sculptress as a bizarre Christmas present from her boyfriend. Once inside its new home, the cyborg promptly reconstructs the rest of its body using a variety of household utensils and proceeds to go on a murderous rampage.
We live in a world where the powerful deceive us. We know they lie. They know we know they lie. They do not care. We say we care, but we do nothing, and nothing ever changes. It is normal. Welcome to the post-truth world. How we got to where we are now…
Jenn lives in an underground bunker, protected from the monsters that now ravage the world. This is the day that she goes outside...
Mass suicide prevention from resource depletion, overpopulation and climate change.
It's war. War against an invisible enemy that is not as deadly as we are told. The world is changing rapidly. Disproportionate measures are taken worldwide that disrupt society as a whole. A dichotomy in society forced vaccinations and restrictions on freedom. Have we had the worst? Or is there something more disturbing to awaiting us.
Procreation is the social duty of all fertile women, was the political thinking during the 1960s and 1970s in Romania. In 1966, Ceaucescu issued Decree 770, in which he forbade abortion for all women unless they were over forty or were already taking care of four children. All forms of contraception were totally banned. The New Romanian Man was born. By 1969, the country had a million babies more than the previous average. Romanian society was rapidly changing. By using very interesting archival footage and excerpts from old fiction films and by interviewing famous personalities from that time – gynecologists or mothers who were part of the new society - the director revives this period of tremendous oppression of personal freedom. Many deaths were caused by the mere fact that women, including wives of secret Romanian agents, famous TV presenters, and actresses, had to undergo illegal abortions. Many women were jailed for having them.
Mother, the film, breaks a 40-year taboo by bringing to light an issue that silently fuels our largest environmental, humanitarian and social crises - population growth. Since the 1960s the world population has nearly doubled, adding more than 3 billion people. At the same time, talking about population has become politically incorrect because of the sensitivity of the issues surrounding the topic- religion, economics, family planning and gender inequality. The film illustrates both the over consumption and the inequity side of the population issue by following Beth, a mother, a child-rights activist and the last sibling of a large American family of twelve, as she discovers the thorny complexities of the population dilemma and highlights a different path to solve it.