When London teenager Yemi’s big brother comes to live with him from Nigeria, Ikudayisi’s terrible fashion sense, broad Yoruba accent and misplaced confidence with the opposite sex threaten to destroy Yemi’s already small amount of street cred. When the pair are forced to spend the day together on their Peckham estate Yemi is forced to confront local bullies, the unattainable girl of his dreams and his own African heritage, eventually teaching both of them the values of family and self-respect.

An African entourage makes a spectacular appearance in postwar London.

A collectively made filmic opera in 35 parts. The Black and predominantly queer art collective, an evolving line up of poets and artists from across the world, abstracts and reimagines opera in any traditional conception. Set to hip-hop, blues, noise, R&B and electronica, the piece uses the voice (chanting, singing, screaming; written by poet and activist Dawn Lundy Martin) as its primary tool, verbalising centuries of alienation, vulnerability and protest in the global African diaspora through its disruptive libretto.