Trapped and alone, a young man must confront the pain he's ignored when he finds himself face-to-face with consequence.

A space occupies it, awaiting to be unlocked by a freeing action or notion. What lies ahead is its determination.

A man steadily bashes through the snow. He disappears and the trees, covered in white, shift and show a beautiful array of hidden colors. A poetic, meditative short film about letting go of the past and embracing the unknown future.

Lake gazes down at a still body of water from a birds-eye view, while a group of artists peacefully float in and out of the frame or work to stay at the surface. As they glide farther away and draw closer together, they reach out in collective queer and desirous exchanges — holding hands, drifting over and under their neighbors, making space, taking care of each other with a casual, gentle intimacy while they come together as individual parts of a whole. The video reflects on notions of togetherness and feminist theorist Silvia Federici’s call to “reconnect what capitalism has divided: our relation with nature, with others, and our bodies.”

Sonzai Zone is a speculative fiction film on intimacy and loneliness after the normalization of ambient communication media. An unlikely encounter between Yún and Souvd takes place in a near-future where social interactions are largely based on the mediation of human presence, known as ‘Sonzai-kan’. Shifting between XR games, Immersion Arcades and spatial home displays, their insidiously orchestrated relationship escalates into extreme idealization. Meanwhile, Souvd’s ex-girlfriend Ntzumi launches into undercover investigation.

In the middle of the night, you never know who can be a witness of your decisions...

تدور الأحداث حول الضابط حسام الذي يعمل بإدارة مكافحة الآداب، وفي إحدى المهمات يكتشف أن هناك شبكة دعارة يديرها أحد رجال الاعمال الذي ينجح في كل مرة مستخدمًا نفوذه وسلطته في الخروج من أي تهم منسوبة إليه، مما يؤدي إلى فشل حسام في مهمته لتتصاعد الأحداث.

A black-and-white visual meditation of wilderness and the elements. Wildlife filmmaker Richard Sidey returns to the triptych format for a cinematic experience like no other.

The film choreographically covers the distance between two women and their mirroring selves, under Laurie Spiegel's soundscape and with the ambiance of VHS video. Their bodies, sometimes two and others four, are always connected with a rope, influenced by white noise retro interference, sound scratches and pauses. They approach each other until they connect and then finally completely disappear, nullifying the distance between them. The reverse movement of these similar bodies-idols aims to compose a dance of the two and the one, our close and more distant self and to reach to the void in between them.

Here begins the land of phantoms.

An atmospheric journey, following the unstoppable forces that shape this world. A story beyond humanity.

Following the unfortunate passing of King Kong in a workplace accident, his wife and son must embark on a cross-country road trip to collect and scatter his ashes. Operating under the guise of a road movie, the film acts as a reflection of the characters’ emotional journeys by creating both a meditative experience through the use of longform shots of landscapes, and a fleeting encapsulation of the world contained within a camcorder.

After a feverish dream, a paralysed dreamer finds themselves trapped within a purgatory of their sleep, as they begin to fuse with their bed. The purgatory begins to refract the dreamers mind, as they are confronted with multiple incarnations of themselves struggling to awake. Bed & Breakfast is inspired by the neurodivergent experience of procrastination, and inertia. Questioning the nature of memory, identity, and the fabric of reality, by plunging you into the psyche of a paralysed dreamer where reality is far repressed.

Beautifully filmed by New Zealand nature photographer Richard Sidey over the past decade around the polar regions, Speechless: The Polar Realm is a visual meditation of light, life, loss and wonder at the ends of the globe. This is the second film in Sidey’s non-verbal trilogy which is comprised of: - Landscapes at the World’s Ends (2010) - Speechless: The Polar Realm (2015) - Elementa (2020)

another audiovisual experience from seafood diet

Filmed during the months of June and August 1984 in the Glen Canyon National Recreation Area, Mesa Verde National Park and the Navajo Nation. This program reveals scenes of the lushness of California's summer accompanied by the music of Windham Hill artists, William Ackerman, Alex de Grassi, Mark Isham, Shadowfax, and Liz Story.

A compelling narrative told entirely through subtitles, lights, and chairs.

The first documentary that describes the official policy and coverage of the sixth continent. With humor and beautiful landscapes in 4k, we will find out if Antarctica is an example of global peace, science and the environment, the scene of the next great war.