Mia recounts her most intimate confessions, uncensored, in her first approach to a totally new world of domination and submission.

Viena, 1957. Una mujer judía, esposa de un director de orquesta, reconoce en el portero del hotel en el que se aloja al oficial nazi que, en un campo de concentración, la había utilizado como objeto sexual en una tortuosa relación sadomasoquista.

Day in and day out, lovers Cynthia and Evelyn enact an elaborate sadomasochistic fantasy as mistress and maid. But as their ritual of domination and submission begins to turn stale, Cynthia yearns for something more conventional, while Evelyn tries to push their taboos even further.

During a layover in Albuquerque, work colleagues Les and Natalie discover more about each other than they ever thought possible. Anxious and irritable, Les is drawn back into the city by past experiences he can’t forget (even if he doesn't really remember the particulars of his previous drunken adventure). Natalie, refusing to leave his side, follows along as her own secrets are slowly revealed, leaving her feeling both vulnerable and unbound.

An emotionally detached young Brooklynite drifts through unremarkable days and nights. Neither her on-again-off-again BDSM relationship with a mildly disinterested older dom, nor her nondescript corporate job, appear to bring her any satisfaction, and her relationship with her unpleasable New Yorker parents only compounds the tiresome cycle of her routine.

Sardu, master of the Theatre of the Macabre, and his assistant Ralphus run a show in which, under the guise of 'magic', they torture and murder people in front of their audience. But what the punters see as a trick is actually real.