The Curse of Quon Gwon is the oldest known Chinese-American film and one of the earliest American silent features made by a woman. Only two reels of the film survive, and no intertitles are known to exist, making it difficult to parse out the exact plot. An article in the July 17, 1917 issue of The Moving Picture World states that the film "deals with the curse of a Chinese god that follows his people because of the influence of western civilization." The film also touches on themes of Chinese assimilation into American society. Formally premiering in 1917, no distributor was willing to purchase a Chinese-American film without racial stereotypes. Considered a devastating financial failure, the film was only screened two more times until its rediscovery in 2004. Preserved by the Academy Film Archive in 2005.
A young couple, soon to wed, begin building their dreamhouse, but their interfering relatives cause no end of trouble. Comedy.
A young couple decide to marry under the condition that they agree never to disagree. That agreement is soon put to the test when the husband finds himself attracted to a beautiful young woman.
In this MGM Crime Does Not Pay series short, a young woman, wanting a life of luxury, takes the "easy" way, and winds up in jail.
In this Puppetoon animated short film (an Academy Award Best Short Subject, Cartoons nominee), a young Dutch couple find their idyllic countryside being overrun by unfeeling, unthinking mechanical men and machines that lay waste to everything in their path. In 1997 this film, deemed "culturally, historically, or aesthetically significant," was selected for preservation in the United States National Film Registry.
At the end of the 15th century, a man and a woman, posing as traveling minstrels, are sent by the Devil to a castle to seduce its inhabitants.
Young couple Joe and Mary Thompson love each other and their children despite the struggles that they have that are typical of most young couples early on in their married life, such as the basics of trying to make ends meet. But after Joe leaves Mary and their inner city life, she finds an unpostmarked envelope under their apartment door with her name written in Joe's handwriting. It contains a letter explaining why he left. It has primarily to do with his feeling that another part of his life was being left behind for his married life, that other life which consists of a want to travel, especially sail the south seas. The actual impetus to leave was inadvertently fostered by Mary through the birthday present she bought for him. So what actually did happen to Joe and will he ever return to his loving wife?
Peter and Delilah are a married couple running a roadside café in Nevada. Their stable partnership turns rocky, though, with the arrival of the sultry Sally, a waitress who catches Peter's wandering eye. Delilah strikes back by hiring Sally's boyfriend as a waiter. Sally is initially dismissive of Peter's advances, but when he wins $40,000 in a lottery, she quickly pounces, turning on the charm and eyeing the easy life.
An orphan is uncertain whether she wants to remain with her adoptive family or return to the orphanage.
Anna and Karl are a young couple in Stockholm, unable to find an apartment of their own. However, they play matchmakers to make their friends Fredrik and Ulla to get together, getting an apartment of their own that way. Plot by Mattias Thuresson.
Sotiris, the president of Ano Latini, goes to Athens to get information about the project of expropriation for the construction of a military airport in the village. Dimitroula, president's daughter, is in love with Vangelis, an aircraftsman, who serves his duty in Athens. When Vangelis learns that a wealthy villager asked to marry his girlfriend, he goes to the village with his friend Kanellos, to find out what's happening. Kanellos is a naive hotel concierge who wears a fancy uniform, making everyone in the village believe that he is a Wing Commander.
An aspiring young writer lives with his pregnant wife and works for a newspaper to provide for his growing family. When his sister-in-law comes to visit, there is a mutual attraction between the guest and the writer.
A production of Oxford Polytechnic for sponsor the Family Planning Association, this is an unreservedly hairy promotion of the prophylactic in avoiding unwanted pregnancies. A wave of period details situate the film in both time and milieu. The culture of its audience, 1970s students, is evoked and displayed via a mattress on the floor, an ethnic rug, the kilim bedpsread, homebrew jars, denim clothes and by hair: long hair, facial hair - beards. The main actors are dead ringers for the infamous cover stars of Alex Comfort's The Joy of Sex, published the year before.
Yeong-su and Jeong-ah experience many problems as their budding romance defies the strict rules of the co-ed highschool they attend. After graduation when it looks like they can be free to live their own lives, Yeong-su joins the military and their relationship will never be the same.
In 1917, Elizabeth defies her wealthy parents by running off and marrying Horace Robedaux, a young man of humble prospects. Her parents have not spoken to her since - even though the couple lives in a rooming house nearby, they are struggling financially, and she is pregnant.
In 1915, Elizabeth has fallen in love with Horace Robedaux, a young man her father condemns as a "wild boy." No matter how strict and protective, her parents cannot deter their daughter's growing independence.
After a young man is bitten on the hand by a radioactive snake, his hand changes into a lethal snake head, which attacks everyone he comes into contact with. Also, his body becomes filled with snakes. Now, he must prevent himself from hurting others.
Two victims of traumatized childhoods become lovers and serial murderers irresponsibly glorified by the mass media.
Two young lovers try to con a wealthy woman out of her inheritance by pretending to be brother and sister.
A real estate agent terrifies a couple with the grim fates of the previous owners of a house they're looking at.