Ninguém é indiferente ao poder das quatro estações e do seu ciclo anual, nascimento, crescimento, declínio e nascimento. Nem mesmo os dois monges que compartilham a solidão, num lago rodeado por montanhas. Assim como as estações, cada aspecto das suas vidas é introduzido com uma intensidade que conduz ambos à espiritualidade e tragédia. Eles também encontram-se impossibilitados de escapar a roda da vida, dos desejos, sofrimentos e paixões que cercam cada um de nós. Sobre os olhos atentos do velho monge vemos a experiência da perda da inocência do jovem monge, o despertar para o amor quando uma mulher entra nas suas vidas, o poder letal do ciúme e da obsessão, o preço do perdão, o esclarecimento das experiências. Assim como as estações vão continuar alternando até ao fim dos tempos, na indecisão entre o agora e o eterno, a solidão será sempre uma casa para o espírito.
The lead character Raman (Dileep), is an employee in a rice mill in Pune. He used to carry the rice to the mill for processing on a bicycle. Later he decides to buy an auto rickshaw and goes to his village to borrow money from his mother to buy his dream vehicle. But once he reaches his village he is shocked to find a gang of people waiting there to kill him. The rest of the event forms the crux of the plot.
A naked, blood-soaked man throws a corpse into a dimly lit basement. The cadaver lands against another body.
Spin classes can be a bit intimidating. But for Brit, the fear is real when her first class turns into a ride for her life.
Documentary looking at a century of cycling. Commissioned to mark the arrival of the 2014 Tour de France in Yorkshire, the film makes full use of stunning British Film Institute footage to transport the audience on a journey from the invention of the modern bike, through the rise of recreational cycling, to gruelling competitive races. Award-winning director Daisy Asquith artfully combines the richly-diverse archive with a hypnotic soundtrack from cult composer Bill Nelson in a joyful, absorbing watch for both cycling and archive fans.
Running late for a job interview, the last thing Christian wants is a heated argument with a frustrated cyclist...
Composer Herman completely goes into writing his work "Cycle", losing absolutely all connection with the outside world. One evening, he falls asleep and when he wakes up, he begins to understand that his composition begins to come to life.
Line drawn animation journeying from individual cell through multiplication, growth and formation. The cycle rises and falls twice.
A short film about I made, based on the themes of isolation and repetition and how it affects someone psychologically.
We all get consumed with ourselves; sometimes we're not even aware of it. We learn from a young age that life is about winning and impressing. We pick up that our worth and value come from how good, how smart, and how skilled we are. So, we twist things in our favor, making us look like we have it all together. Every day we have the choice to prop up these false ideas about ourselves or to let go of them. Jesus invites these parts of us to die, the parts of us that tell us our worth comes from the things we say and do. Maybe it's only when we let these things die, that we truly begin to live.
The film Together we cycle investigates the critical events that has led to the revival of the Dutch cycling culture. For most people, cycling in the Netherlands, seems a natural phenomenon. However, until the 1970s the development of mobility in the Netherlands followed trents across the globe. The bicycle had had its day, and the future belonged to the car. The only thing that had to be done was to adapt cities to the influx of cars. Then Dutch society took a different turn. Against all odds people kept on cycling. The question why this happened in the Netherlands, has not an easy answer. There are many factors, events and circumstances that worked together, both socially and policy-wise. In Together we cycle, key players tell the story of the bumpy road which led to the current state. Where cycling is an obvious choice for most citizens.
Written and directed by Moheen Reeyad, Cycle tells the story of an ordinary Bangladeshi married woman, who struggling to expresses her strong inclination to be free from some unexpected difficulties like darkwardness, backwardness, and religious domination etc. This original visualization about everyday life explores the joy and pain of pursuing your dreams. Actually, most of all women of Bangladesh are being presented as goods still now, are being dressed only for their husband by hook or by crook.
In 1901 people in Belfast paid their tram drivers in carrots.
Endless cycle of LIMBO