Broadway gamblers stumble across a plan by Nazi saboteurs to blow up an American battleship.

The East Side Kids discover that one of their own, Danny, is torn between staying and school and becoming a boxer, and is getting mixed up with gangsters.

Portrait of the Sunshine Hotel, a flop house on the Bowery in New York's skid row. We meet Vic, the desk clerk, who paints watercolours and pastels; Jonesy, a janitor who talks about bedbugs; Bruce, a voluble alcoholic who makes runs for residents, picking up beer or sandwiches for them and sharing his philosophy with us; Vinnie, on methadone, caring for caged birds; Cashmere, a prostitute, the only woman at the hotel; Earl, who works downstairs in the Bowery's last factory, and Mike, the general manager, who talks about the changing face of the Bowery. The film concludes with tourists outside the Sunshine, hearing from Seth Kamil of Big Onion Walking Tours.

A recovering alcoholic and recently converted Mormon, Arthur "Killer" Kane, of the rock band The New York Dolls, is given a chance at reuniting with his band after 30 years.

A product of the Bowery, Trent Regan grows up to become a powerful gangster. Regan's girlfriend Angie Miller, hearing that her childhood sweetheart (and Regan's lifelong pal) Mike Cassidy is about to marry Marjorie Church, pays a visit to Mike to offer congratulations. Convinced that Angie is fooling around behind his back, Regan accidentally kills her.

Just decades ago, flophouses in New York housed nearly 25,000 men living on the margins of society. Today few remain. Filmmaker Michael Dominic takes his camera behind the doors of the Sunshine Hotel, one of the few remaining affordable refuges for the destitute and out of luck, a world that has seemingly stood still for more than eight decades. Here the hotel residents live in tiny four-by-six-foot cubicles crowned by a ceiling of chicken wire. Focusing on several of the Sunshine’s denizens – including a transgender woman saving all her money for additional surgeries and a hotel manager who doubles as its resident philosopher – Dominic presents a non-judgmental snapshot of a diverse group of characters as memorable as the characters at Harry Hope’s bar in Eugene O’Neill’s “The Iceman Cometh.”

In this somewhat whitewashed documentary on Manhattan's Bowery a newcomer to the area takes his first step toward redemption after a meal, bed, and inspiring talk.

A mix of documentary and scripted footage on the Bowery, New York City's skid row. Against a backdrop of men (and a few women) drinking in bars, talking and arguing, and sleeping on sidewalks, we have the story of Ray.