A young woman who has just started a job at an art museum writes an email to a friend she lived with until recently. The other woman, also young, works as an artist and has just moved to a new city. A narrator reads this email, but we don't know which of the two women the voice belongs to, whether to the sender or to the receiver of the message. Neither are we aware of the details of this relationship; but what we do know is that, in addition to their interest in art, they share a concern for the difficulties of carrying out their personal and professional lives in the present. By focusing on the peripheral or hidden details of some paintings in the Bilbao Fine Arts Museum, this narrator relates several stories linked to the social, economic and psychological conditions of the artists, both past and present.
Paco, the teenage son of a Civil Guard commander in Basque Country, becomes addicted to heroin.
Beatriz is an attractive young lawyer who enjoys an enviable position thanks to the influence of his father, a prominent businessman. Lucas, a young guy with a rather shady past, struggling to emerge from the unfavorable situation in which life has placed him. When Lucas is arrested with a stash of cocaine adulterated becomes a client of Beatrice. The pure cocaine has hidden with intent to distribute it only with your partner Uriarte, for it has had to deceive another of his buddies into thinking that the business has failed.
An economist Basque (Gorka Ochoa) based in Barcelona becomes embroiled in a difficult emotional dilemma between his girlfriend (Bárbara Goenaga), who is pregnant, and a childhood friend (Sara Cozar), heart condition, which is declared by compassion convinced that he would die. The problem arises when the patient makes a miraculous recovery and he is forced to pretend he loves her.
After a robbery at a bingo hall, the girlfriend of one of the robbers escaped with the help of another woman tries to recover the loot from the raid. The problem is that some cops also want to do with the loot, to finance political assassinations.
The story unfolds in Bilbao. Rocío (Emma Suárez), is in love with Mario (Antonio Banderas), a free rider with a lot of face that, to top it all, is partner of the business of her father, Domingo (Francisco Rabal) with whom she maintains incestuous relations. When Domingo passes away, both Mario and Rocío's mother have to put to the front of the business, finishing with the inheritance that could receive Rocío. In the midst of her frustration, a young business worker, secretly in love with Rocío, will try to have the legacy of her father end up in the hands of his rightful heiress.
Amaya is a modern girl, independent, who runs an advertising gency. The business is doing well and is enmaorada of her boyfriend, a lawyer of lost causes somewhat confused. Its stable and happy life is shattered with the appearance of a famous movie star, party animal and womanizer.
It's the last night of the graduation trip. An excellent opportunity for a young boy to declare his love to Haizea, the girl he likes. But he doesn't know how to do it. Or yes. Yes, he does. He knows too many ways to do it.
A young musician and dreamy, called "Ernesto", is forced to live in Madrid to die his father, in the house of executor of the testament, "don Julio Villamil", who is married to actress Teresa Labisbal, of which "Ernesto Acedo" was enamored platonic. Although the conduct of the young is flawless, a third person causes slander which oblige "don Julio" to fight in mourning to death.
After of living in France for fifteen years, Lucas, a journalist with a dark past, returns to Bilbao, his hometown. He begins an intense romance with a young woman, but a series of circumstances will make the intimacy of the couple almost impossible.
Ninety minutes in the Cathedral worth to live a historic moment. The temple quintessential Spanish football said goodbye in July 2013 to make way for the new stadium of the Athletic Club of Bilbao, but the essence, the color, the claw and the history of San Mames remain in the memories of their members, their supporters, of whom feel inside Atletico colors and those players who played on their turf to the sound of aupas, irrintzis, eups and alirones of the athleticzale fans. Documentary directed by journalist Unai Larrea to honor the centenary of the legendary stadium Bilbao, blend the images of the parties lived in the Cathedral interviews with over 80 people involved in the club's history, Bilbao and stage, as players the club itself Julen Guerrero, Joseba Etxeberria, 'Txopo' Iribar, Andoni Zubizarreta or Red Txetxu, Iker Casillas, Xavi Hernandez, Johann Cruyff or Juanlu-last player to score in San Mames, and coaches like Jorge Valdano, Vicente del Bosque and Luis Fernandez.