Film Černobílý svět se odehrává v 60. letech 20. století v Mississippi a hraje v něm Emma Stone postavu Skeeter, jižanské dívky ze společnosti, která se vrací z vysoké školy a je odhodlána, že se stane spisovatelkou, ale obrátí život svých přátel naruby—stejně jako malé město v Mississippi — když se rozhodne udělat rozhovor s černoškou, která strávila svůj život tím, že se starala o prominentní jižanské rodiny.

Malá koňská farma uprostřed kalifornské pouště a na ní dva sourozenci, kteří zažívají věci, nad nimiž byste jen nevěřícně kroutili hiavou a říkali „Nene". Mistr hororových překvapení a držitel Oscara za film Uteč Jordan Peele natočil další film, který vás spoiehlivé překvapí, šokuje a vyděsí. Ten den by proběhl jako každý jiný, kdyby se na nebi neobjevilo „cosi", co sourozencům Haywoodovým zabilo otce. Bylo to UFO? Nebo je vysvětlení mnohem racionálnější? Nikdo nic neví. Zjevné je jen to, že to, co se děje v okolí malé koňské farmy, na níž OJ a Emeraid žijí, je čím dáĺ znepokojivější a nabírá to na obrátkách. Zatímco oči senzacechtivých amatérských ufologů a záhadotogů se upírají k nebi ve snaze alespoň krátce zahlédnout kousek létajícího talite, Haywoodovi klopí zraky k zemi, Kdo se na ně nedívá, toho přece neunesou. Nebo že by pravidla neplatila?

A young lawyer defends a black man accused of murdering two white men who raped his 10-year-old daughter, sparking a rebirth of the KKK.

Living in Kentucky prior to the Civil War, Amantha Starr is a privileged young woman. Her widowed father, a wealthy plantation owner, dotes on her and sends her to the best schools. When he dies suddenly Amantha's world is turned upside down. She learns that her father had been living on borrowed money and that her mother was actually a slave and her father's mistress.

A YouTube adaption of David Henry Hwang's play about race, identity, politics, and casting.

From elementary school to adulthood, Ernest has struggled all his life to fit in but finds solace in his best friend and the woman of his dreams.

An emotive anthology by seven of Singapore's most illustrious filmmakers, celebrating SG50 through the lives and stories of Singaporeans. Directed by Eric Khoo, Jack Neo, K. Rajagopal, Royston Tan, Tan Pin Pin, Boo Junfeng, Kelvin Tong.

In Great Britain a reversal of African apartheid comes into place, and the country is governed by black people with whites as the subservients.

The story of a nation coming together around Indigenous athlete Cathy Freeman who delivered when it mattered on the greatest stage on earth. 20 years on, Freeman sheds light on one of Australia's proudest moments. In 49.11 seconds, Cathy Freeman's win at the 2000 Sydney Olympics brought Australia together as a nation.

A teenage boy leaves a moment of boredom while his father works on his old car, and the mother wishes to go out for a stroll around the block. One more relocated family post Hurricane Katrina.

Diversity trainer Lee Mun Wah assembles a diverse group of eight American men to talk about their experience of race relations in the United States. The exchange is sometimes dramatic as they lay bare the pain that racism in the US has caused them.

Preschool to Prison is a compelling examination of how the United States public school system is built and operated like prisons. Zero-tolerance policies are used to justify suspension and arrests that set up a pathway to send children of color and children with special needs from school to prison. Children are being suspended, restrained, dragged, physically manhandled, and subsequently arrested for minor offenses such as throwing candy on a school bus. These personal accounts from people affected by the school-to-prison pipeline give riveting tales about the generational impact on society.

Festive Land examines one of the largest and most extraordinary popular celebrations in the world, the week-long Carnival that brings more than two million people to the streets of Salvador, the capital of Bahia, in northeastern Brazil. Carnival is the most expressive showcase of the unique cultural richness of Bahia, where African culture has survived, prospered, and evolved, mixing with other Brazilian influences to create forms found nowhere else in the world. The film captures this unique cultural energy through extraordinary footage of musical performances, dances, religious manifestations, and street celebrations. At the same time, Carnival reflects the racial and social tensions of Brazil's heterogeneous society. At first glance there appear to be two million people chaotically mixed on the streets, but a more detailed look reveals how patterns of segregation driven by racial, social and economic differences continue in Carnival.

Ebony Goddess: Queen of Ilê Aiyê follows three women competing to be the carnival queen of Ilê Aiyê, a prominent and controversial Afro-Brazilian group with an all-black membership. The selection is based on Afro-centric notions of beauty, in counterpoint to prevailing standards of beauty in Brazil, a country famous for slim supermodels and plastic surgery. Contestants for the title of Ebony Goddess dress in flowing African-style garments, gracefully performing traditional Afro-Brazilian dances to songs praising the beauty of black women.

A PSA about Hate Crime. Young Izaak finds out that his father has been yet another victim of Hate Crime, while also learning what to do in this situations.

In a universe where Clowns are an ethnic minority, recently divorced father-of-one Richard Plews battles against inequality and alcoholism.