Max Reinhardt’s second and last silent film. It tells the story of two young girls (Cheerful & Shy) who, in order to escape their father’s authority, reaches an island of wonder filled with gods, nymphs, fauns and other creatures.
The playmates of Krishna are insulted by a female villager who splashes water on them. They take revenge by stealing butter from her house. When they are beaten up by the woman, they again take revenge with the aid of Krishna. He receives a gift of fruit for his help but gives it away. Krishna then enters the room of a wealthy merchant and his wife at night and ties the man's beard to his wife's hair. These exploits lead to a large crowd complaining of Krishna's antics to his foster parents.
A female centaur enters a clearing in the woods and picks flowers. She is met by a male centaur and the two romance each other. They then seek parental consent for their union. Surviving footage of a now lost film.
Told in four episodes, an unnamed artist is transported through a mirror into another dimension, where he travels through various bizarre scenarios. This film is the first part of Cocteau's Orphic Trilogy, which consists of The Blood of a Poet (1932), Orpheus (1950) and Testament of Orpheus (1960).
This special-effects laden film is based upon an episode from the Ramayana. Indrajit, son of Ravan, initiates an attack on Rama (Mane) and Lakshmana (Kulkarni) in which they are captured by Mahi (Kelkar). They escape with the assistance of Rama's disciple, the monkey-god Hanuman (Manajirao). The narrative foregrounds Chandrasena (Tarkhad), wife of Mahi, who reveres Rama but disapproves of the bacchanalian orgies and the celebration of liquor that is the norm in his kingdom. She helps resolve the stalemate of the battle when Mahi (who can duplicate himself and his dead soldiers) proves invincible, by revealing the secret formula that will kill her husband. In addition to the usual flying figures and magic arrows mandatory for a Ramayana mythological, there is an effective scene of a gigantic Hanuman picking up a miniaturized human figure.
The lion dance in traditional Japanese theatre.
Based on the Hindu mythological story of Prahlada and his devotion to the god Maha Vishnu.
A poet in love with Death follows his unhappy wife into the underworld.
Sinfonia Amazônica, or Amazon Symphony, was Brazil's first animated feature-length film, produced entirely by Anélio Lattini Filho over five years and finished in 1951. Like Disney's Fantasia, it tells several folk stories over orchestral music.
King Minos sacrifices the 'required' virgins to the Minotaur. As his wife lies dying, she confesses that her daughter has a twin she has secreted to avoid giving one of the girls to the Minotaur. The daughter raised by Minos tries to have her twin killed, but failing in her first attempt, continues to try to have her given to the Minotaur. Theseus, the Greek hero, tries to prevent it.
Dashyu Ratnakar who kills the travelers for wealth for support and maintenance of his family. When suggested by Narad Muni to esquire his family members i.e. his father, mother, wife and children if they would receive some portions of his vice which he had done for their maintenance, Ratnakar is astonished by their replies. They all replied that it is his (Ratnakar's) duty to maintain his family. They are not responsible for the method by which Ratnakar earned money. At that reply Ratnakar was deeply shocked, promised to shun all his means of vices and achieved sage-hood through deep penance. He later transformed into Maharshi Valmiki who wrote the great epic Ramayana.
King Androcles of Thebes commands a ship in search of a threat to Greece, predicted by an atmospheric oracle. Hercules is part of the crew, but the strongman falls overboard in a thick fog. Washed ashore, he saves a young Ismene from Proteus, an evil, shape-shifting creature. Ismene takes Hercules to Atlantis, where he discovers that her mother, Queen Antinea, has captured Androcles. Hercules schemes to rescue him and thwart Antinea's dream of world conquest.
Upon his return from battle in the previous film, the great warrior Hercules learns that his lover, Daianara, has lost her senses. Acording of the oracle Medea, Dianara's only hope is the Stone of Forgetfulness which lies deep in the realm of Hades. Hercules, with two companions, Theseus and Telemachus, embarks on a dangerous quest for the stone, while he is unaware that Dianara's guardian, King Lico, is the one responsible for her condition and plots to have the girl for himself as his bride upon her revival.
He is sent by the gods to do battle with the monkey King who is up to more magical mischief than is good for him.
This movie deals with the later part of Ramayana written by Valmiki Maharshi and depicts the lives of the sons of Rama & Sita.
Hercules is summoned to oppose the evil Queen Samara, who has allied herself with aliens and is sacrificing her own people in a bid to awaken a moon goddess.
The movie is lead by martial arts film stars Cho Tat-Wah and Yu So-Chow, the new generation famous martial arts film couple Chan Po-Chu and Siao Fong-Fong was participating in the episode fifth. As the name suggests, the movie is actually in sense of the Buddha’s theory. According to my understanding in the whole series, I believe the episode fifth is more likely in sense of the Buddha’s theory. So I try to translate in English hoping those who are not familiar with Chinese can enjoy the true spirit in the movie. The story is about how the odd-demon create his “mutilation-poison leg”. At the same time his disciple Dragon Girl realized his cruel means to all men including herself. Despairing Dragon Girl finally met her bosom friend Yuan Tung and her benefactor Long & Qiu and pull together to wipe out her evil master.
A man and his son take an allegorical stroll through life with a talking bird that spouts social and political philosophy.