Dante's Hell Animated is a real and truthful epic animation film that embarks Dante Alighieri's journey through the first part of the afterlife, Hell. It is a compelling four-quadrant film presented circle by circle in a chronological descent to the center of Hell, and to the exit into Purgatory. Dante's Hell Animated comes in two versions, one recited in primitive Italian in Dante's own words, and another narrated in English better understanding in this non-original language. Dante is guided by his hero Virgil through each circle of Hell and their subdivisions until they reach the center of the Earth and escaped to the other hemisphere into Purgatory. It features over 50 original color illustrations from the upcoming Dante's Hell comic book and magazine series, put together in a series of animation clips that will delight young and mature audiences.
Bestowed with superhuman strength, a young mortal named Hercules sets out to prove himself a hero in the eyes of his father, the great god Zeus. Along with his friends Pegasus, a flying horse, and Phil, a personal trainer, Hercules is tricked by the hilarious, hotheaded villain Hades, who's plotting to take over Mount Olympus!
A multi-award winning Horror Compilation inspired by Dante's Inferno. 9 diverse filmmakers deliver a twisted, micro-budget mix of blood and violence, comedy and carnage, demonic creatures and real world terrors, social commentary and WTF madness.
Raul is torn between life and death, while he is traveling through infernal labyrinths.
Hercules, having agreed to restore justice to Mycenae, confronts evil Prince Myles. The villain is invested with power over giant bronze warriors by his mother Pasiphaë, a sorceress in Hades. Myles assassinates the king and abducts his cousin, Queen Ate, through whom he plans to inherit the throne. Although Zeus temporarily removes Hercules' strength for killing Eurystheus, an innocent man framed by Myles, the god restores his powers. Hercules then saves Ate and destroys Myles, Pasiphaë, and the giant warriors.
《人‧神‧魔戰》是一部2010年奇幻冒險電影，由路易斯·賴托瑞（Louis Leterrier）執導。電影重拍1981年戴斯蒙·戴維斯（Desmond Davis）執導，改編希臘神話英雄帕修斯大戰梅杜莎和克拉肯救出安朵美達公主的故事。演員山姆·沃辛頓飾演主角英雄帕修斯，連恩·尼遜飾演宙斯，其他演員有雷夫·范恩斯、艾莉克莎·黛沃洛斯等人演出。電影原定2010年3月26日，因臨時轉製為3D電影而延後到4月2日全球同步上映，而香港則搶先於4月1日上映。故事跟原來的帕修斯神話有極大差異。
由於人類疏於對諸神的侍奉，使得諸神力量漸微而泰坦族的力量卻與日俱增。捲土而來的他們不再甘心受制於宙斯，串連了強大的力量密叛變！為了拯救人類和諸神，柏修斯再次踏上了征戰的旅程…
When villagers begin disappearing it is discovered that they had fallen through a crack in the earth which goes straight to Hades. Hercules once again comes to the rescue and faces one of his most difficult challenges, and must prove himself as a man as well as a god. "Hercules in the Underworld" is the fourth made for TV movie in the series Hercules: The Legendary Journeys.
上集逃亡大計講到逃獄專家雷保龍(史泰龍 飾)解破了重重機關成功逃脫，今集逃亡大計2雷保龍將拍住Trent DeRosa(戴夫巴蒂斯塔 飾) 殺入高科技隱藏監獄－「黃泉」，拯救被脅持的手下(黃曉明 飾)。他們必須經過精密計算鬥智又鬥力才能逃出生天！
Director helmut Dietls and Patric Susskinds illustrate a legendary story of two lovers who cant keep themselves away from death.
A Greek warrior must travel to the Underworld and battle killer hellhounds in order to rescue his murdered bride from the clutches of Hades.
Based on the Persephone myth, this film follows Poppy as she struggles in a cycle of being pulled between her homophobic, addict mother and her girlfriend, Harper.
This documentary takes you inside developer Supergiant Games for every step of the game’s journey: from before its surprise announcement, to its full launch almost two years later, and beyond, as the game grew into a worldwide phenomenon. The result is a unique chronicle of one of the most celebrated games of 2020, and an insightful look at how a small team can bring a game to life.
First seen at La Monnaie in Brussels on 13 May 1998, this production of Monteverdi’s L’ORFEO seen through the eyes of Trisha Brown and René Jacobs has become an operatic classic in a few short years. This is doubtless because it offers a total symbiosis of music, text and movement – described by the critic of the Daily Telegraph of London as being ‘as close to the perfect dance opera as I have ever seen’. Or to quote Gilles Macassar in Télérama: ‘In the pit and onstage, the Brussels production has only one watchword: mobility, nimbleness, dexterity. The singers run, fly, whirl like dancers defying gravity. From the flies down to the footlights, the whole theatre is under a fantastic spell.’ For Christophe Vetter, on ConcertoNet: ‘This Orfeo can be seen again and again with immense pleasure. . . . René Jacobs’s conducting continues to arouse admiration for its precision, its stylistic rigour, its inexhaustible inventiveness and its feeling for the contrasts so vital to this repertoire.’