Set in the 19th century, "Moeyo Ken" follows the life of Toshizo Hijikata. He was the vice-commander of the Shinsengumi and fought against the Meiji Restoration.
One samurai is ordered to kill another by their master in punishment.
In 1604, Miyamoto Musashi attacked the Yoshioka family at their dojo and defeated master Seijūrō and his younger brother Denshichirō in two duels. To save their reputation, the Yoshioka family decides to fight back with all 100 family members and hire an additional 300 samurai. Now Musashi sets out to defeat all 400 enemies in his most famous battle.
In 16th century Japan, a young man has to choose between becoming a master steel maker like his father and grandfather before him, or becoming a samurai so that he can help protect his village from attacks by the various clans which want the high-quality steel made there.
Veteran director Nakajima Sadao examines the appeal, background, context and transition of chambara, or period sword-fighting and samurai films, in Kyoto. Not only interviews with actors, choreographers and critiques are included, but the director orchestrates an original chambara scene for the documentary.
Fewer samurai films are being made, and the Uzumasa studio has fallen on hard times. One day, veteran "kirareyaku" (whose job it is to be felled with a sword by a film's star) actor Kamiyama is tasked with teaching sword action techniques to fledgling actress Satsuki. A few years later, the now-retired Kamiyama is visited by Satsuki, who has become a popular star.
Mito Domain Samurai Seki Tetsunosuke must pay the consequences for his role in the assassination of Great Elder Ii Naosuke. Based on true events.
When 11 of her friends are raped and murdered, leaving the Samurai Princess (Aino Kishi) the only survivor, she becomes infused with her comrades' souls. Transformed into an android, she sets out to avenge their deaths. Dai Mizuno co-stars as the princess's human partner in this Kengo Kaji-directed gore fest that features breast grenades, detachable chainsaw limbs, deadly guitar riffs and more.
One rainy night in the Edo period, Kotono (a geisha) confronts samurais who killed her father. The samurais attack her one after another, but she fights hard against samurais with her sword. Kotono tries to chase the samurais who scramble to escape. Yet now three ninjas stand up against her. Kotono drops her sword by their wave of assaults. Can she beat them?
A group of ruthless gangsters, an unknown woman and an escaped convict have met, in The Forest of Resurrection, the 444th portal to the other side. Their troubles start when those once killed and buried in the forest come back from the dead.
In the sixth and final film of the Lone Wolf and Cub series, the final conflict between Ogami Itto and the Yagyu clan is carried out.
In the fifth film of the Lone Wolf and Cub series, Ogami Itto is challenged by five warriors, each has one fifth of Ogami's assassin fee and one fifth of the information he needs to complete his assassination.
In feudal Japan, women are vulnerable, in need of protection, and capable of deception. Jokichi of Mikogami, a drifter, has not yet fully revenged the death of his wife and son. He searches for Kunisada Chuji, who in turn has hired the knife-throwing Windmill Kobunji to kill him. Kobunji and Jokichi meet in the winter, near Sasago Pass, when both have rescued women: Jokichi has saved the lute-playing Oyae whose clan and whose lover want her dead; Kobunji has rescued Oharu, a well-born woman married to an innkeeper. Is this rescue a whim or something deeper? And why does Jokichi become the consumptive Kobunji's protector? What ultimately will Jokichi do about Oyae?
In the fourth film of the Lone Wolf and Cub series, Ogami Itto is hired to kill a tattooed female assassin and battles Retsudo, head of the Yagyu clan, and his son Gunbei.
Thirsting for revenge, Jokichi rashly attempts to assassinate the evil Chogoro but ends up being captured by Yakuza. His life is spared by Boss Juzaburo, in order that the harmony of an important commemoration not be further disturbed. Though now even more of an outcast, Jokichi is asked by another Yakuza boss, Umezo, to guard Oyuki, the wayward daughter of Juzaburo. The tragic consequences of this assignment will lead him into a deadly trap and a final confrontation with Chogoro.
In the third film of the Lone Wolf and Cub series, Ogami Itto volunteers to be tortured by Yakuza to save a prostitute and is hired by their leader to kill an evil chamberlain.
Can a sinful man change and find peace? It's unlikely in gang-plagued Japan. Jokichi of Mikogami, a drifter (and hired sword), goes straight after protecting a woman in distress: they marry, have a son, and Jokichi pursues his father's craft. After three years, the gangs he embarrassed when he saved his wife find the family and leave Jokichi in grief, vowing revenge. To parry his terrible swift sword, rival gangs join forces, hiring a prostitute to pose as a woman needing help and breaking the code of honor to double cross the drifter. He finds unlikely allies: a thief who aids him for fun and a one-eyed swordsman who may be Jokichi's equal in skill and honor.
In the second film of the Lone Wolf and Cub series, Ogami Itto battles a group of female ninja in the employ of the Yagyu clan and must assassinate a traitor who plans to sell his clan's secrets to the Shogunate.