Tito del Amo, a passionate 72-year-old researcher, takes the final step to unravel the enigma about the alleged Spanish origin of the American cartoonist Walt Disney, making the same journey that his supposed mother made to give him up for adoption in Chicago. A journey that begins in Mojácar, Almería, Spain, and ends in New York. An exciting adventure, like Alicia's through the looking glass, to discover what is truth and what is not, with an unexpected result.

How a shy young man living off odd jobs became the funniest and most popular cartoonist in French-speaking Switzerland.

A cartoonist teams up with an ace reporter and a law enforcement officer to track down an elusive serial killer.

The life story of Vicente Miguel Carceller (1890-1940), a Spanish editor committed to freedom who, through his weekly magazine La Traca, connected with the common people while maintaining a dangerous pulse with the powerful.

A cartoonist, who detests films and movie stars, finds himself in an awkward situation when he falls in love with a film actress

In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.

In an interview at age 84, Chuck Jones (1912-2000) talks about his life, particularly his childhood: he describes an adventurous uncle; his mother, who never said no; his father, a critical and abusive man who had his uses; Chuck's going to art school and studying the human body; success as an animator; and, old age. As he talks, we also see clips from his work, we watch him draw, and simple animation illustrates parts of his story. He talks about growing up on Sunset Boulevard, going to the beach, his enjoyment of Mark Twain, his mother's loving creativity, the connection of his personality to some of his cartoon characters, and the joy of being alive.

This biography, shown on American television as part of the PBS "Great Performances" series, examines the life works of one of Hollywood's most celebrated animators, Chuck (Charles M.) Jones. He is best known for Warner Brothers cartoons featuring Bugs Bunny, Daffy Duck, Elmer Fudd, Porky Pig, Road Runner, Wile E. Coyote, and Pepe LePew. Included are plenty of behind-the-scenes descriptions of how an animated film is made, and (best of all) many clips from Chuck's cartoons.

A subtle portrait of Japanese director Satoshi Kon by the specialist of Japanese cinema Pascal-Alex Vincent and a dive into a rich work. With interviews of the greatest Japanese, French and American directors inspired by his work.

A struggling painter begins taking inspiration from the dreams of his friend and roommate, a comic book fan who narrates an adventure story while he sleeps, but unbeknownst to the latter, the artist of his favorite comic book lives in the same building as they do with the model for her drawings.

Popeye sits down to make a cartoon. He shows the results to Olive and his nephews: it's a damsel-in-distress scenario, starring him and Olive, with live music and sound effects by Popeye.

The story of Enrique Herreros (1903-1977), cartoonist, advertiser, poster designer, talent manager, actor, producer and filmmaker, and the most daring of mountaineers; the man who, along with his companions from the so-called “other Generation of '27,” brought Hollywood to Madrid's Gran Vía, turning a grey and sinister post-war city into the capital of an incipient and ambitious cultural industry.

The New Yorker is the benchmark for the single-panel cartoon. This light-hearted and sometimes poignant look at the art and humor of the iconic drawings shows why they have inspired and even baffled us for decades. Very Semi-Serious is a window into the minds of cartooning legends and hopefuls, including editor Bob Mankoff, shedding light onto how their humor evolves.

Jim's father wants to marry Eugenia, but her sister Netta refuses to allow it. When Jim sees Ann at a club, he falls for her even though she is with Lord Priory. He meets her the next day at the riding path, but she quickly loses him. He searches all over for her, not knowing that his father's hopeful fiancée is her Aunt. As his caricature work suffers as he searches, he is fired from his paper. But he makes a comeback with the comics 'Rags to Riches' which is based upon the Pett's. But this upsets the Pett's so much that they go back to New York, and he follows, being careful not to let them know that he is the one who draws the strip that parodies them.

A cartoonist falls asleep at the drawing board and into the clutches of his own villains, until Beans the Cat comes to the rescue.

When cartoonist Hyun-joon falls in love with Da-hong, one of his fans, it sets up the archetypal battle between their two families, who are from rival regions. Hyun-joon comes from the politically liberal Honam region (North and South Jeolla) while Da-hong comes from the conservative Yeongnam region (North and South Gyeongsang). When the two declare their intention to marry, they are confronted with a seemingly endless number of barriers that threaten their happiness.

An aspiring teenage cartoonist and his friends come to the aid of a singer trying to save her family property from developers.

Americans are preoccupied with the news, but need an escape from many of the events reported in the news. These escapes in the past have included dime store novels. The most accessible of these escapes is what are known as the funny papers, the set of serialized comic strips that are included within many newspapers. They appeal to all socio-economic classes, and all ages. Some of the earliest known from the late 19th century include the Yellow Kid, Little Nemo, Happy Hooligan, the Katzenjammer Kids, Mutt & Jeff, and Bringing Up Father. Many cartoonists are seen in action. Some originated their characters, while others have taken over following the passing of the originator. The joy of many comic strips are the absurd and the fantastical, which are limited only by the imagination of the cartoonist. Others are grounded in reality, which add to their poignancy within the public mindset.

In july 1987 palestinian cartoonist Naji Al Ali was shot by unknown assassin. this documentary traces his life and work from his birth in Galilee to his death in London it examines the forces that shaped Naj Al Alii as an artist and as a human being and shows how his experiences mirror of other exiled palestinians.

The Spanish author Enrique Jardiel Poncela (1901-1952) was one of the best comedy writers of all time, a novelist and newspaper columnist, misunderstood, even censored, both by the Second Republic government and Francoism, an outsider ahead of his time; also a filmmaker and screenwriter in Hollywood, architect of a revolutionary theatrical building and scenographer, cartoonist and illustrator. An implausible genius.