Águst Guðmundsson directed this Icelandic period drama, adapted from the short story We Must Dance by William Heinesen, and set on an island in 1913.
Pétur (Gunnar Helgason) narrates, recalling the days when mainlanders arrived for a wedding. Flirtatious Sirsa (Pálína Jónsdottir) marries Harald (Dofri Hermannsson), son of a wealthy landowner on the island.
Offshore, a ship is sinking, so the men form a rescue party, returning with the captain, the engineer, and several sailors. With a storm gathering, the engineer dies. The clergyman requests an end to the festivities as a mark of respect. Sirsa protests, but her new husband brings the celebration to a halt. The group then fragments into different activities, drunken or otherwise, and the sensual Sirsa directs her attention toward the handsome Ívar (Baldur Trausti Hreinsson).
The film's score features traditional folk music.
We’re travelling from luxury kitchen to luxury kitchen with Agnes, from Bergisch Gladbach via Barcelona to the Faroe Islands. The cook’s luggage always includes her backpack containing various knives, cleavers and tweezers. The camera watches over the inquisitive young woman’s shoulder as delicacies are being prepared. Our mouths water. At the same time, we get insights into the different ways of running a restaurant. It’s about team spirit and equality at the stove.
In the northern part of the Atlantic Ocean on the island of Troldø lives a single farming family. The grandmother Gunhild is the only woman on the island and her son Enok is unable to find a wife. Gunhild's advanced age causes her to worry for the future of the family. So she initiates a plan to get Enok married, a plan that is put into action when the young Eva becomes stranded on the island. But the community must be shaken by several dramatic events before Gunhild can breathe a sigh of relief.
Two friends, Rannvá and Barba, return to Faroe Islands after seven years abroad. The girls arouse both curiosity and outrage with their bizarre city appearance and emancipated behaviour. They embark on a road trip with one of the locals, Rúni, who - as it turns out - also carries a dark secret. The trio goes on a journey not just through the beautiful landscape of the Faroes but into the land of the past.
Presents a day in the life of a few inhabitants of Tórshavn in the Faroe Islands: A father and his daughter are having breakfast when the fire-brigade drive by. A woman and her child are looking at the fire and meet a married couple. The couple say hello to a man who is going out with his boat... and so on.
Maria hesitates when her best friend Birita offers her some pills, but – what the hell? Her mother’s away and they are both desperate to have some fun tonight. They set off and, once the drug takes effect, start euphorically planning how they might finally escape their dreary island...
Seals were believed to be former human beings who voluntarily sought death in the ocean. Once a year, on the Thirteenth night, they were allowed to come on land, strip off their skins and amuse themselves as human beings, dancing and enjoying themselves. This short film explores the legend of Kópakonan, literally meaning “the Seal Woman”, one of the best-known folktales in the Faroe Islands.
Two lost souls with incongruent world views meet again and again under strange circumstances and it will gradually become clear that they are connected by some force, which is bigger the they can fathom.
Dania is 21 years old and grew up in a Christian community in the Faroe Islands’ Bible belt. She has just moved to Tórshavn and is seeing Trygvi, a hip-hop artist and poet locally known as Silvurdrongur (Silver Kid). He comes from a secular family and writes poems and texts about the shadow sides of humanity. Dania herself sings in a Christian band but is fascinated by Trygvi’s courage to write brutally honest lyrics. As she tries to find her place in the world and understand herself, she starts to write more personal texts. Her writings develop into a collection of critical poems called ‘Skál’ (‘Cheers’), about the double life that she and other youths must live in the conservative Christian world.
In a small Faroese village, four men find a sealed liquor barrel washed ashore at low tide. They hustle the heavy barrel into a basement, away from the prying eyes. Soon, however, the sneaking suspicion arises that instead of liquor, the mysterious barrel might in fact contain something else. Tensions run high as the host, Símun, eventually has to handle both the negotiations down in the basement, as well as his distrustful wife upstairs.
A documentary about The Faroe Islands' relationship to Denmark and the negotiations about further Faroese self-government.