Absolwenci Valley Hills High School, jak co roku, świętują ukończenie szkoły w miejscowym parku wodnym Wet Valley, mającym krwawą historię. Młodzi ludzie planują spędzić w tym miejscu cały weekend, oddając się dobrej zabawie. Wśród nich jest Josh, członek garażowego zespołu, grającego w stylu lat 80-tych XX wieku, który w aquaparku spotyka swoją dawną miłość Kimberley. Okazuje się, że dziewczyna tutaj pracuje i jest związana z porywczym młodym mężczyzną imieniem Tommy, który też jest pracownikiem parku wodnego. Podczas gdy miłość Josha i Kim na powrót rozkwita, tajemniczy osobnik szykuje nadzwyczaj krwawy zamach na życie jak największej liczby osób znajdujących się na terenie odkrytego aquaparku.

The most beautiful man in the world, who, sick of being objectified, devises a plan to free himself of other's attention.

Two runaway, gun-obsessed, outlaw lovers are given a task to kill two political figures in the midst of a civil revolution outside the walls where these characters are trapped, waiting for the phone call to give them a sense of purpose

A documentary that follows a new piece of legislation on its way to Capitol Hill. The Internet Community Port Act, also known as CP80 or Community Port 80, asks that adult content be placed on separate channels (ports) on the Internet so that parents can keep it out of their homes and schools. What ensues is a ferocious debate between parents, pornographers, doctors, technologists, addicts, business owners and children. But one voice is missing: our political leaders.

Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.

A shocking political expose, and an intimate ethnographic portrait of Pacific Islanders struggling for survival, dignity and justice after decades of top-secret human radiation experiments conducted on them by the U.S. government.

A young latino model objectified for his race and body becomes pressured to reveal more and more of himself during a photoshoot.

A 1-minute short film about a frustrated contract worker and her ballpen.