In a country where women are in charge, a man goes to unusual lengths to make his dream of marrying the daughter of a military leader come true.

Earl Pilcher Jr. runs an equipment rental outfit in Arkansas, lives with his wife and kids and parents, and rarely takes off his gimme cap. His mother dies, leaving a letter explaining he's not her natural son, but the son of a Black woman who died in childbirth; plus, he has a half brother Ray, in Chicago, she wants him to visit. Earl makes the trip, initially receiving a cold welcome from Ray and Ray's son, Virgil. His birth mother's sister, Aunt T., an aged and blind matriarch, takes Earl in tow and insists that the family open up to him.

The Warrior's Husband is a satire of the male and female roles in society set in 800 B.C.. Queen Hippolyta (Marjorie Rambeau) rules Pontus with masculine authority; in fact, it is the women of Pontus who do all the laboring, fighting, and governing. Hippolyta's husband Sapiens (Ernest Truex) is truly a sissy of the first order, and is not unlike most of Pontus' male inhabitants.

In a world where women rule and men are meant only for breeding purposes, two women start a revolt against the system when they begin to believe that the men are treated poorly.

A fiction science monologue about artificial fertilization and its consequences, delivered by four characters interacting with the text.

The second essay about still dominant dark aspects of our modern society. It is conceived as a surreal anti-patriarchal thought experiment and raises important questions about gender, power, and social change, prompting us to reflect on how historical patterns of discrimination and oppression might be either repeated or overcome in a reversed gendered world. It challenges the viewer to confront their own assumptions and biases, and to consider the possibilities of a more equitable society.

The Fall of Womenland is a fascinating documentary on the unique sexual culture of the Mosuo people — a small minority situated in the southwest of China — and one of the last remaining matriarchal societies in the world. Without a formal marriage contract, the Mosuo traditionally build relationships based on free love and sexual satisfaction (‘walking marriages'). But can the sexual liberty and power of the Mosuo women survive as modern Chinese society slowly encroaches their ancestral land? The film explores the present reality for the Mosuo people as well as the dangers that threaten their inherited way of life.