The story of a young woman named Jane 57821, who is living in a totalitarian near-future society where citizens are referred to as 'computers.' 'Dirty Computer' explores humanity and what truly happens to life, liberty and the pursuit of happiness when mind and machines merge, and when the government chooses fear over freedom.

Detective Donald Strachey is aangesteld om activist John Rutka te beschermen. Maar Strachey doet dit niet omdat hij vindt dat Rutka de problemen over zichzelf uitroept. Wanneer Rutka niet veel later dood wordt aangetroffen is de taak aan Strachey om uit te zoeken wie de moord op zijn geweten heeft.

Filmmaakster Cassie Jaye doet in deze documentaire onderzoek naar de zogenaamde 'Mens Rights Movement' (een groep mannen die met name online seksediscriminatie bespreken en de negatieve invloed van het moderne feminisme onder de aandacht proberen te brengen).

This is the tale of a young woman, growing up in the age of the internet and turning the search for oneself into a public spectacle, allowing kids from all over the world to live their life through hers. Through her fragmented personalities you see the emergence of a new generation, in which the concept of a fixed identity has grown old.

When David, an ex-monk still in his twenties meets Mark, he falls hard; soon he's asked Mark if they can live together. Things go well for awhile, and then differences in their definition of "commitment" begin to push them apart. Mark wants other sexual adventures, David tries to go along. Can they talk through the crisis in their relationship or is a breakup in the offing? David sees his relationship with Mark as a marriage, so if it ends, can David's heart ever heal?

Na de mysterieuze dood van een cliënt infiltreert privédetective Donald Strachey een therapiegroep voor homo's die hetero willen worden. Hij neemt het op tegen de oprichter van de groep om te bewijzen dat de dood van zijn cliënt geen zelfmoord was.

Over the course of a year, film follows Vancouver Pride Society president Ken Coolen to various international Pride events, including Poland, Hungary, Russia, Sri Lanka and others where there is great opposition to pride parades. In North America, Pride is complicated by commercialization and a sense that the festivals are turning away from their political roots toward tourism, party promotion and entertainment. Christie documents the ways larger, more mainstream Pride events have supported the global Pride movement and how human rights components are being added to more established events. In the New York sequence, leaders organize an alternative Pride parade, the Drag March, set up to protest the corporatization of New York Pride. A parade in São Paulo, the world's largest Pride festival, itself includes a completely empty float, meant to symbolize all those lost to HIV and to anti-gay violence.

Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.

In 2004, after 174 years in which political power was always held by one or other of the parties on the right, a historic change at last became possible in Uruguay. This documentary was filmed in the days coming up to the election, and it shows how the common people saw their country. The main protagonist is the man in the street. With humour, with intense emotions, with a lot of dignity and a passion for politics, these Uruguayans show how proud they are to be playing a role in their country's history.