Lise, a mentally unbalanced middle-aged woman, travels from her home in Copenhagen to Rome, Italy where she embarks on a fatal destiny, a premeditated search for someone, anyone, with whom she can form a dangerous liaison.
Laurel has the boyfriend of her dreams, Kevin. He can and will do anything for her. He is totally devoted to her but the downside is that he won't leave her alone. When she tries to get some distance he responds with aggressiveness. It finally dawns on Laurel that he is not good for her. Laurel's mother Jessica has already started to suspect that something is wrong with his background.
When prim and proper New England college professor Gwen Barry (Titanic's Frances Fisher) hires handsome young prison inmate Dalton Roy (Derwin Jordan) to tend her yard through a prison work furlough program, their mentor-student relationship soon turns into a passionate love affair. But when Dalton completes his prison sentence, meets a pretty young college student (Kandyse McClure), and attempts to start over again on his own, Gwen becomes obsessed with remaining a part of Dalton's life or destroying it completely.
The film tells the story of Aiko, a 35-year-old mute woman who works in a bowling alley, and her brief romance with Yoshioka, a younger man who works as a postal carrier. The two meet when Aiko accidentally knocks Yoshioka off his bicycle, and they have a sexual encounter soon after. Aiko begins preparing lunchboxes and giving them to Yoshioka at his workplace as a way of expressing affection, which she cannot do verbally.
Bernard Sommet has killed his wife and her lover and he declares that was a crime of passion. Sylvie Foucot, his court-appointed attorney, not only believes him but falls in love with him. But the examination magistrate is not convinced. For his part, he leans towards premeditation. Whether Sommet premeditated his act or acted out of anger and jealousy will be up to the court to decide.
Based on a novel by Bo Nishimura, the film is about an extramarital affair between the wife of an estate agent and a 22 year old man.
Deemed "the D.W. Griffith of Turkish Cinema," Omer Lutfi Akad directs this 1952 film based upon real events that took place in İstanbul, in the following years of World war II. It is about a love triangle that led to homicide. It was a stylistic departure of what otherwise had been typical of Turkish melodramas of the time.
Josefina, a radical homemaker, committed a crime of passion that led her to self-exile at a coastal town. She tries to find peace in solitude, immersed in the house routine, while coexisting with a past of lovers and Molotov cocktails. Her body suffers the metamorphosis of aging, and she must undergo cataract surgery.
An oniric trip into the mind of a detective, in which we witness a story fabricated to cover up a heinous crime.
Succeeding in entering the past, a young man meets his favorite actress whom he adulates with passion. His identifying urges emerge, and the desire of replacement prevails : he makes his idol live forever.
He has everything that the destiny wanted and that he has been able to expand: fertile lands as far as the eye can see, cattle, exceptional wines and cigars matured in the long voyages of the boats coming directly from the Caribbean, more precisely from Cuba. He enjoys all this in his rich rural house, with his wife and two children, whom he very much likes, but which sometimes interrupt him to enjoy these pleasures. The disenchantment of the passionate routine always reminds him of the fabled memories of a moment in the past when, unexpectedly, he discovered in a handmaiden the surprising elevation of passion. Until the harlot appears to her at the Estate, untouched by the past fifteen years, purer than before and, even in her eyes, rejuvenated. But married, to a dangerous man.
On May 18, 1936, Abe Sada, a former geisha, kills her lover by "erotic asphyxiation", then slices his sex and inscribes his name in his flesh. In an ultra-controlled and militarized Japan, the press is passionate about this transgressive incident, while the murderer defends herself, presenting her crime as an act of "crazy love". Relayed to the West, this murder conveys the image of a fantasized Japan, where all impulses are given free rein.