In a future world where the disease has been finally defeated and everything can be sold, even the crude spectacle of death, the rare case of a dying woman becomes the morbid theme of a revolutionary reality show, broadcast through the curious eyes of a peculiar camera.

A psycho-on-the-loose story, about a burned-out newspaper columnist and his circulation-hungry publisher who wants him to turn the killer into Page One news.

When the US government ignored repeated warnings by its own scientists and allowed untested genetically modified (GM) crops into our environment and food supply, it was a gamble of unprecedented proportions.

The main themes of Murder Music are: the musical origins of black metal, from Birmingham, UK hard rock group Black Sabbath to Newcastle extreme metal pioneers Venom; the anti-Christian sentiment of its practitioners; the controversies surrounding the criminal acts (arson and murder) of the early Norwegian scene; and the paradox of a Christian form of black metal, represented by Scandinavian band Frosthardr. The 64-minute documentary eschews much of the tabloid sensationalism that shrouded the genre in the early to mid-'90s, focusing instead on the music itself, an element thus far overlooked by the mainstream media.