As the Space Race ensues, seven pilots set off on a path to become the first American astronauts to enter space. However, the road to making history brings forth momentous challenges.
California, Mojave Desert, 1998. A strange glow appears in the sky. Sam, a forty-something door-to-door salesman, travels through the few inhabited zones of the Californian desert in search of clients.
Andrew returns to his hometown for the funeral of his mother, a journey that reconnects him with past friends. The trip coincides with his decision to stop taking his powerful antidepressants. A chance meeting with Sam - a girl also suffering from various maladies - opens up the possibility of rekindling emotional attachments, confronting his psychologist father, and perhaps beginning a new life.
Several people start receiving voice-mails from their future selves -- messages which include the date, time, and some of the details of their deaths.
A group of friends in New York, working away at their PCs and laptops, keep in touch exclusively by phone and fax. They are all too busy to meet face to face. Gale plays matchmaker, by phone, to Jerry and Barbara who, in turn, hit it off beautifully – via phone and fax. Martin gets a telephone call from someone he's never met. It's Denise, with some extraordinary news. Tapping away at his computer all the while, he develops a sort of friendship with Denise – via phone. And so it goes as the friends, tap, tap, tapping away, share news, hopes, and dreams – via phone and fax. Finally Gale has an unfortunate encounter with a phone, Denise has some more news for Martin, and Frank plans a gala New Year's Eve party, but will he answer the door?
A quivering voice begs to screenwriter, Joel Brandt, to pick up the phone on a message from his answering machine. Thinking it a prank, Joel deletes the message. The caller is found dead. Another caller leaves Joel a message; there is another murder...then another...then another. The killer has Joel's attention, and Joel has the attention of the police. Now the prime suspect in a series of murders, Joel discovers this psychotic killer has targeted him for a reason found within his body of work. Will Joel be able to re-write his ending, or be forced to pay the ultimate price?
An enthusiastic androgynous voice leaves a message on 25-year-old Mina's answering machine inviting her to the best party of her life. Mina really doesn't want to go, so she tries to come up with the most outrageous excuse to get rid of the Voice once and for all. However, her mind has a surprise in store for her.
A young man, looking to start his life over moves into a new neighborhood. In his new home, he discovers a picture of a beautiful girl with a phone number along side of it. As time passes by, his curiosity and affection of the girl grows and compels him to text the number. He eventually gets pulled into an unconventional relationship with the girl over text messages, but they never actually meet.
A seemingly innocent voicemail message left on a man’s answer machine by his ex, soon turns on its head when we learn of his dark past in their relationship. We quickly learn that our protagonist may not be as innocent as he seems, through the heart-wrenching monologue delivered to him via the tiny machine in his home.
An epic tale of love and loss. Made using voicemails the Kuchar brothers left on her home answering machine, the artist reveals George and Mike in all their candid honesty leading up to and following George’s untimely death in 2011. McGuire floats their voices along a river of digital scribbles and her own voice in singer/songwriter mode. The beauty of the piece lies partly in how the voicemails, used as-is and chronologically, contain an entire narrative about love and loss in a DIY style reminiscent of the Kuchars.
The life of a drug abuser through messages on his answering machine.