Na Paris contemporânea, o cineasta alemão Tomas abraça a sua sexualidade através de um tórrido caso de amor com uma jovem chamada Agathe, um impulso que esbate as linhas que definem a sua relação com o marido, Martin. Quando Martin começa a ter um caso extraconjugal, consegue reconquistar a atenção do marido e, ao mesmo tempo, desvendar os ciúmes de Tomas. Enfrentando emoções contraditórias, Tomas tem de abraçar os limites do seu casamento ou aceitar o facto de a relação ter seguido o seu curso.

A convicted rapist continually violates his parole but slips through the cracks of the justice system until his crimes escalate into a frenzy of terror against five helpless women.

A man who is the pillar of his community has a secret - he has a compulsion to make obscene telephone calls.

A wealthy lady can't find a satisfying physical relationship with her husband and she starts acting in porn films using a different identity supplied by a close friend. Soon things goes out of control as it turns out that she is driven by the uninhibited sex and can't control her compulsion.

How I Learned to Love the Numbers is a New York film and at the same time the study of a young man suffering from an obsessive-compulsive disorder (OCD). The Berlin filmmaker Oliver Sechting (37) and his co-director Max Taubert (23) travel to New York with the idea of documenting the art scene there. However, the project is quickly overshadowed by Oliver's OCD, and the two directors fall prey to a conflict that becomes the central theme of their film. Encounters with such artists as film directors Tom Tykwer (Cloud Atlas), Ira Sachs (Keep The Lights On), and Jonathan Caouette (Tarnation) or the transmedia artist Phoebe Legere seem more and more to resemble therapy sessions. At last, Andy Warhol-Superstar Ultra Violet succeeds in opening a new door for Oliver.