A man walks towards the camera down the end of a street to the sound of 'Jesus’ Blood Never Failed Me Yet', a composition by Gavin Bryars based on a loop of an anonymous homeless man singing the song. The man’s voice is progressively intensified by an instrumental accompaniment, which increases in density and richness, before the whole thing gradually fades out. Dwoskin’s film was produced to be shown during the premiere of Jesus' Blood Never Failed Me Yet at the Queen Elizabeth Hall, London in December 1972. For Dwoskin, it represents “… the singing voice of the last days of a London drunk (anonymous) as the orchestra raises him to heaven. The faint ghost image of a figure swims gradually to you through the grains of film low light…”
A naked, blood-soaked man throws a corpse into a dimly lit basement. The cadaver lands against another body.
Simon Cable wakes up in a hospital bed, confused and disoriented. He soon discovers from doctors that he has amnesia and is unable to remember the last two years of his life. Cable investigates what has happened to him and slowly pieces together his enigmatic past.
A man accidentally gets into a time machine and travels back in time nearly an hour. Finding himself will be the first of a series of disasters of unforeseeable consequences.
This film is about what the routine of everyday life can do to the human mind and psyche. It also reflects on the importance of the choices we make and how limited these choices are in the first place. The plot evolves around a family of four. They live in the suburbs, in a strange villa that appears, through a complex game of mirrors, to be more like a piece of installation art than a real house. The main character, who hardly appears on screen, is the son, a man in his thirties. Suffering from asthma and eczema since childhood, he uses his condition to manipulate his parents and his sister. Thus the existence of the terrorized family turns into an endless ritual of attempting to satisfy his whims, and always on the alert for yet another one of his “health crises”. Las Meninas resembles the scattered pieces of a puzzle. It is up to the viewer to assemble them in order to form his very own picture – something that makes the film itself personal and unique.
Originally designed to be projected on 360 degree scope screen, the image portrays a life of one man and the never ending cycle of life.
Isaías never heard about quantum mechanics or parallel universes. One night his reality perception will be irredeemably changed.
Watch out Earth.
After years of playing second fiddle to a rival performer, a woman confronts her rival. Hoping to reason with her enemy, things grow heated and someone commits an act that may cost them their future. That is until there is a knock at the front door.
Amy begins her first night shift in a hotel with a murderous past. Witnessing terrifying events and trapped within a loop, Amy must find a way to escape the flesh obsessed murderer and save residents of the hotel.
Tonight, Paul pops the question to Amanda. Everything is perfect; then suddenly - chaos. Now the couple find themselves stuck between two worlds.
Human minds are corrupted by the thought that they are the superior one. The reality is often contradictory.
A piñata experiences the same fateful day over and over again, on which it is bought by a girl and finds death at her garden party. Shocked, the piñata tries to break out of this eternal cycle.
A man gets stuck in a time loop after waking up.
A young man is viciously attacked in his own home, but soon learns an awful truth about his attacker.