Harlem, 1926. A “sweetman” Zeddy, living off a woman, brings a country girl he’s trying to impress to a gay-owned cabaret. There he meets a friend, Jake, whose girlfriend, Congo Rose, is the singer there. Drama swirls around the characters as Zeddy confronts the cabaret owner, about his sexuality. Congo Rose, seeking to reignite her man’s fading interest, puts on a performance, with her Pansy Dancer, of a Bessie Smith song that seduces the whole room, especially Zeddy.
A drama that looks back on the Harlem Renaissance from the perspective of an elderly, black writer who meets a gay teenager in a New York homeless shelter.
Harlem Fragments is an Afro-futurist scrapbook storytelling of a Harlem Black family's beautiful destruction during the 2008 recession. A natural disaster so mesmerizing you can't look away from the tragedy. Based on true events- The film explores the haunting societal pressures of achieving the Black American dream, told in the POV of 10 year old TJ revisiting his family's home that's up for sale. By empowering this Black boy in this film with the agency to imagine, TJ, through his own journey, finds a way to process and come to terms with his family's divorce. It's important for every Black child out there enduring the same foreign emotions to know that it's okay to feel them, and affirm that there is a future trajectory forward out of the initial destruction.
A black and white, fantasy-like recreation of high-society gay men during the Harlem Renaissance, with archival footage and photographs intercut with a story. A wake is going on, with mourners gathered around a coffin. Downstairs is an elegant bar where tuxedoed men dance and talk. One of them has a dream in which he comes upon Beauty, who seems to reject him, although when he awakes, Beauty is sleeping beside him. His story and his visits to the jazz and dance club are framed by voices reading from the poetry and essays of Hughes and others. The text is rarely explicit, but the freedom of gay Black men in the 1920s in Harlem is suggested and celebrated visually.
In 1920, a young African-American woman sets off to Africa to find a tree that promises eternal life.
Duke Ellington plays hot jazz in a fictional story that finds him down on his luck; he tries in vain to dissuade his friend, dancer Fredi Washington, from working with heart trouble even though it means work for his band. Sure enough, she collapses on stage...
Bill "Bojangles" Robinson made his movie acting debut in this 1932 film, featuring Putney Dandridge, James Baskett (Oscar winner for "Song of the South"), Cotton Club dancer Anita Boyer, Henri Wassell, Alma Smith, Bob Sawyer, and composer/bandleader Eubie Blake and his orchestra.
The Harlem Blues & Jazz Band during its sunset years: 87-year-old Al Casey, who had worked closely with Fats Waller throughout the 1930s; guitarist Lawrence Lucie, 95 years young, from the bands of Louis Armstrong, Benny Carter and Duke Ellington; saxophonist Bubba Brooks, 79, who was with Bill Doggett; Edwin Swanston, 80, pianist with Louis Armstrong's Orchestra; 91-year-old drummer Johnny Blowers, ex-Bunny Berigan, Billie Holiday and Frank Sinatra; Ivan Rolle, 85, bassist with Jonah Jones; and 88-year-old Laurel Watson, one-time vocalist with Duke Ellington and Count Basie. Baron's cameras record the musicians through their tours and concerts, capturing their joy in performing together. A celebration of the jazz spirit.
Harry Belafonte and Sidney Poitier travel down memory lane to see what life was like back in the 1920s. Harry Belafonte introduces this musical, written by poet and playwright Langston Hughes, which pays tribute to Harlem in the 1920's. Sidney Poitier provides commentary on the era throughout the program, and George Kirby and Nipsey Russell portray various Harlem characters. Program highlights include: Gloria Lynne singing "Good Ol' Wagon"; Brownie McGhee singing "Let the Deal Go Down"; Diahann Carroll singing "Nobody Knows You When You're Down and Out"; Sammy Davis, Jr., singing and tap dancing to "Doin' the New Low Down"; Joe Williams singing "Nobody Knows the Way I Feel This Morning"; and Duke Ellington performing "Sophisticated Lady" with a sextet.
Ralph Ellison was an African-American writer and essayist, who's only novel Invisible Man (1953) gained a wide critical success. Ellison's ambitious journey from a childhood of hardship and poverty to celebrated African American writer is chronicled in this inspiring program through exclusive interviews and personal recollection.
The story of Noble Sissle Jr., a production company owner, community development expert, and veteran of the Vietnam War. Combining archival footage with interviews and family portraits, the film explores his life to include carrying on the legacy of his father, Noble Sissle, the famous WWI Harlem Hell Fighter and leader of the Harlem Renaissance. Includes original music and footage of Noble Sissle.
Combines footage unseen since WWI with original scores from the era to re-tell the story of Noble Sissle's incredible journey that spans "The Harlem Hell Fighters" of World War I, Broadway Theatre, the Civil Rights movement, and decades of Black cultural development.
RICHARD WRIGHT was an African-American author of novels, short stories and non-fiction that dealt with powerful themes and controversial topics. Much of his works concerned racial themes that helped redefine discussions of race relations in America in the mid-20th century. Born on a plantation in Mississippi, Wright was a descendent of the first slaves who arrived in Jamestown Massachusetts. This program follows his arduous path from sharecropper to literary giant. Through authors like H.L. Menken, Sinclair Lewis, Theodore Dreiser, he discovered that literature could be used as a catalyst for social change. In 1937 Wright moved to New York and his work began to garner national attention for it's political and social commentary. Much of Wright's writing focused on the African American community and experience; his novel Native Son won him a Guggenheim Fellowship and was adapted to the Broadway stage with Orson Welles directing in 1941.