Дружина головного героя фільму гине в автомобільній катастрофі, залишаючи на піклування чоловіка свою 14-річну дочку, яка зовсім не є дочкою цього чоловіка. Він — її вітчим. У нього і в думках не було заводити з нею любовну інтригу: є подружки старші по віку, ніж ця підростаюча на очах дівчинка. Але він нічого не може поробити зі своїми почуттями, а головне — з її почуттями...

Майло та Меггі багато років уникали одне одного. Але справа у тому, що вони не просто брат та сестра, а близнюки, і у них достатньо велика необхідність у спілкуванні одне з одним, ніж їм може здаватись. Доля підкаже їм, як краще влаштувати своє життя та відновити втрачені зв’язки, нехай іноді і ціною достатньо жорстоких уроків…

Життя закоренілого егоїста відразу міняється, коли він раптом знайомиться зі своєю онукою, про існування якої навіть не підозрював...

Зневірившись позбутися дитини, незадоволена домогосподарка з Беверлі-Хіллз наймає нянею незнайомку і в підсумку отримує набагато більше, ніж розраховувала.

Based on the internationally-acclaimed play by Colette Freedman, the story of 4 estranged sisters who reunite for their mother’s alleged suicide.

The line between reality and fiction starts to blur when two best friends start making a movie about getting revenge on bullies.

Michael Wolffsen (Tyler Mane) receives an urgent phone call and takes his nephew and fiancee and makes the journey home to his only other living relative: his estranged, eccentric (and extremely paranoid) father, Gary (Muse Watson), who is obsessed with building an unassailable compound. Once they arrive at Gary’s modest home, surrounded by acres and acres of grounds full of cameras and other security sensors, Michael is surprised and concerned to learn that his father is in the early stages of dementia. The house is now also covered in supernatural and occult symbols. Welcome to the compound, COMPOUND FRACTURE. Will the stronghold that was designed to save them be their everlasting tomb?

A woman experiences a medical miracle, after which she has only a few days to bring together her estranged children, save the family's wallpaper business and rekindle an old flame.

Two writers, friends since childhood, fight over their books and lives.

In 1910, 19-year-old Horace Robedaux, still bitter toward his stepfather, goes to Houston to be reunited with his mother, Corella, and his sister, Lily Dale, following a long estrangement. He has not seen either since he was 12 because his wicked stepfather, Pete Davenport (whom his mother married after his father drank himself to death) believes a boy ought to be self-reliant.

Танцівниця Афіна (Роуз Леслі) та її батько Джек (Рей Ліотта) — ексцентрична пара. Вона живе у Лос-Анджелесі, їсть тільки органічне, палить щохвилини та спить з усіма підряд. Він — справжній король примх, полюбляє командувати, смоктати соску і розклеювати свої нотатки по всьому будинку в передмісті Флориди. Та коли у Джека знаходять рак, Афіні доведеться забути про розбіжності — і знайти сили на прощення.

When her estranged, drifter husband Matt returns after spending seven years in prison to ask her to let him be a part of her life again, Rachel Kirby's life is thrown into turmoil, which also affects her teenage daughter and mother.

A young college student reluctantly meets with her estranged father only to discover the truth about the events of the wild summer of '75 that drove them apart.

Constance Bennett both produced and starred in the espionager Paris Underground. Bennett and Gracie Fields play, respectively, an American and an English citizen trapped in Paris when the Nazis invade. The women team up to help Allied aviators escape from the occupied city into Free French territory. The screenplay was based on the true wartime activities of Etta Shiber, who engineered the escape of nearly 300 Allied pilots. British fans of comedienne Gracie Fields were put off by the scenes in which she is tortured by the Gestapo, while Constance Bennett's following had been rapidly dwindling since the 1930s; as a result, the heartfelt but tiresome Paris Underground failed to make a dent at the box-office. It would be Constance Bennett's last starring film--and Gracie Fields' last film, period.

Lally is a rich girl whose father writes books and plays polo. After 23 years of marriage her father decides to divorce Lally's mother and remarry to soon-to-be-divorced Beth Cheever. This sours Lally on all men. While on vacation with her mother she meets Jack, who succeeds in stealing her heart. Then Lally discovers that Jack is the son of Beth Cheever, the woman who is to marry her father.

At the end of the 1960s, Vanesa’s parents fled the Franco-regime’s deep poverty to pursue their dream in the Netherlands. Working their blue-collar jobs for hours and hours, for over 45 years, their purpose was to return to Spain wealthy and comfortable. There, in a house full of Dutch porcelain and shiny gold, they can now finally rest. Vanesa was raised as Dutch, but still feels trapped in their expectant illusion, even with the distance between them. Torn between two homes, she starts to re-examine her past.

Mickey Rooney plays a weary old thief who befriends a young child.

An American woman hopes to have a happy reunion with her long-lost Filipino father and finds instead an aloof and unforgiving stranger who hasn't gotten over the painful past.

Peters baby is a 1961 Danish comedy film directed by Annelise Reenberg and starring Ebbe Langberg.

Tatiana Clark, an established musician, is preparing for a concert with her daughter Anna. Their strained relationship and Tatiana's silence towards her famous mother, Dame Maria Clark, create tension. It seems that these three exceptionally talented women are caught in a haunting cycle of music and isolation. Themes of family, loneliness, commitment and the enigmatic concept of fugue underpin their story, suggesting an inescapable intertwining of their lives.