editing experiments with the camera itself. abandoned
Minimalist movie making at its best: kids learn the art of film language using illustrations and margarine boxes.
She is not alone. Someone is getting closer. She has nowhere to hide. Flash. This is her last photo.
An everyday New Yorker is dumbstruck by the awe and wonder of the tourists populating his relatively bleak surroundings during a lunch break.
A couple happens upon an old box of pornographic material in a closet. The box contains an evil spirit that is released once opened, reaping havoc on the family.
Working in the same documentary team, Jin-seong and Mira receive a call that they should go shooting again right after a night shooting. Jin-seong driving a car asks Mira to shoot some insert shots because he should get some sleep when arriving. Mira takes insert shots with the camera that she handles for the first time. Soon, she falls into the world of the frame.
A snow monkey tries to enjoy a bath.
The film revolves around a veteran photographer who is faced with an unexpected incident in his life. What follows is a series of thrilling investigations that take place while getting to the root of the incident.
A man skeptical about ghosts who loves filming with the camera on his iPhone, visits a house in Dulvey at the request of a friend. But something just doesn't add up.
Teenager Olivia Oras has 20,000 Instagram followers. The documentary follows a year of her life.
An encounter in the woods is captured on a trail cam.
An experimental piece that obscures the lines between nostalgia and the surreal.
Summer 2021, in Damascus city, some young emerging directors roamed the city's streets to follow their dreams and shoot their first movies with the simplest available tools. so, the city would open her arms and hug them day and night with her streets and neighborhoods.
A normal photo shoot... or not.
A Sunday walk in a forest turns into a poetic journey on perception.
An innocent video becomes documentation of a tragedy as Kevin and Vickie approach the anniversary of their son’s suicide and discover a horrifying truth – Kevin’s grief has invited something evil into their home.
In 2013, a filming unit arrived at Isla del Faro Rojo to make a documentary about the Ticolense culture that lived there, and about how they turned it into a place of mass extermination. Once installed on the island, away from all civilization and technology, the camera was rendered unusable due to a technical problem. But that was not an isolated event, and Leon, the person in charge of the making of, recorded everything that happened afterwards with his small camera. This is his bloody legacy.
After the death of his mother, Sean pays a company to install a camera on the underside of her coffin lid, with terrible consequences.