뉴스국의 프로듀서 킴(티나 페이)은 아프가니스탄 현장에 기자로 차출된다. 전장에서 죽어도 소송 걸 가족이 없어서 이틀 만에 종군기자가 됐다고 자조하는 킴은 아프가니스탄 카불에 도착해 정신없이 현지에 적응해나간다. 종군기자로 이미 이름을 떨치고 있는 타사 기자 타냐(마고 로비)와 산전수전 다 겪어 마치 전쟁터가 자기집 침대인 양 편안한 사진기자 이안(마틴 프리먼) 등이 킴의 카불 생활을 함께한다. 히잡 없이는 거리를 돌아다닐 수도 없는 아랍에서 킴은 서서히 기자로서의 능력을 발휘하기 시작하고, 총알 빗발치는 전쟁터에서 특종 경쟁은 심화되는데...
Famed reporter Stephen O'Malley travels to a small town to investigate the death of a national hero.
In England during WWII, an American news correspondent’s affair with a married British correspondent ends tragically when he is killed in action. Fearing a nervous breakdown as a result of his death, she travels to Cornwall to mourn with his family without any intention of revealing her relationship with him.
Foreign correspondent Pete Garvey has 5 days to win back his former fiancée, or he'll lose the orphans he adopted.
A 38-year-old woman feels her biological clock is ticking and is torn between her ex and a younger lover.
A young married couple's relationship becomes strained when he is assigned overseas as a foreign correspondent and she becomes a major stage star.
저명한 저널리스트인 로버트 피스크는 40년 동안 세계에서 가장 폭력적이고 첨예한 문제들에 대해 보도해왔다. 창 영 감독은 피스크가 전쟁으로 황폐해진 땅을 돌아다니며 사람들에게 진실을 알리고자 고군분투하는 모습을 거침없는 액션으로 포착한다.
Anna, a foreign correspondent in Nairobi, and Mercy, a local from the slums, are at the center of this emotional story set against the backdrop of the AIDS epidemic in Africa.
How does a nation slip into war? Dateline-Saigon profiles the controversial reporting of five Pulitzer Prize-winning journalists -The New York Times' David Halberstam, the Associated Press' Malcolm Browne, Peter Arnett, and legendary photojournalist Horst Faas, and UPI's Neil Sheehan -- during the early years of the Vietnam War as President John F. Kennedy is secretly committing US troops to what is initially dismissed by some as 'a nice little war in a land of tigers and elephants.' 'When the government is telling the truth, reporters become a relatively unimportant conduit to what is happening,' Halberstam tells us. 'But when the government doesn't tell the truth, begins to twist the truth, hide the truth, then the journalist becomes involuntarily infinitely more important.'